Dear Alaska,

Hey, hey! Listen up ... pay attention ... take notes if you have to. Although the furthest thing from my mind right now is snow, I'm going to tell you about what I feel is one of the best unsigned bands to date ... and, oddly enough, they are all transplants from the snowy arctic that is Anchorage, Alaska.


The Lives Of Famous Men were brought to my attention when they toured with friends in National Product in mid 2007. Singer, Dan Hall's breathy yet passionate vocals caught my concentration as they have a flair that is driven away from the generic pop rock cut-out that everyone seems to be falling into these days. The lyrics are clever and - although typically very short - seem to tell a story without being obvious. I admire bands that are throwing their own twists into stubborn genres these days and it's clear that The Lives Of Famous Men get an A+ for effort in this category. This band not only shakes up its pop and indie rock base, but it adds sharp loungy keys, jazz twists and flamenco undertones for a powerful final product that is hard not to dance to.

I recently had the pleasure of catching The Lives Of Famous Men at the Knitting Factory in Los Angeles. Despite equipment issues, the team was amazing! The five guys (Dan Hall - Vocals, Ari Katcher - Guitar, Dylan Mandel - Percussion, Andrew Totemoff - Bass, and Jason Wahto - Keys, Vocals, Guitar) played like they were born for the stage. They have all been playing for quite some time ... it seems they all have backgrounds playing in heavier bands at the start in Alaska. Slowly, they ventured down to Portland, Oregon (which is where they currently all call home) and came together after their respective 'metal' bands broke up.

I encourage you to take a listen to my favorite The Lives Of Famous Men tunes "You're Everyone I Know Right Now" and "Annie Taylor". Take a peek at their tour dates as well ... they are currently making extensive touring rounds and have picked up a couple of shows with Motion City Soundtrack in Alaska! (side note: drummer Dylan Mandel could pass for Justin Pierre's little brother) mtvU has also requested a brief appearance from The Lives Of Famous Men on the Campus Invasion tour (in Philadelphia). Lastly, the Cornerstone Music Festival will be welcoming these guys at the beginning of July for a few performances!

*By Jen Panczenko, who is giddy for the new Weezer album!

Three Is A Charm

After an extremely packed concert year in 2007, I decided to take it a bit slower as 2008 began. It was easy to hibernate through the month of January - you see, I live in Minneapolis and dressing up in 3 layers of clothing is just not worth the concert adventure sometimes. Alas, February came and my anticipation for a few tours grew to the point where I just gave up and braved the arctic nights.

First up was the Donnas / Hives tour. Now, I know what you are all thinking ... and, I'm sure you're rolling your eyes as I start discussing the chick rock band that is The Donnas. I admit that I sorta wrote them off after "Take It Off" was overplayed but they regained my interest when my favorite artist Butch Walker took on the role of producer for their album 'Gold Medal'. I was confident that something amazing would surface because - let's face it - everything Butch Walker touches turns all sparkly and incredible. I had seen The Donnas once before a few years ago and was not impressed. Literally, all of their songs blend together and end up sounding like one run-on sentence with some occasional shouting. The only reason I made an effort to see them again live was due to my appreciation for lead guitarist Allison Robertson. To make it short and to the point - she rocks! She is literally the female version of Slash. She plays with a pizazz and confidence that makes you wanna shake your head and steal her back to the 80s rocker days. Watching Allison perform gives me faith in female musicians again. For her performance alone, I will see The Donnas many more times.


Swedish rock band, The Hives have been on my radar for quite some time. The Hives have been described to me as the most highly rated live show around. Those are some big shoes to fill and I had some high expectations for this show. Also, SPIN magazine has touted lead singer, Howlin' Pelle Almqvist as one of the "50 Greatest Frontman Of All Time"! From the second this band walked onstage, it was apparent they are superstars. They come together with an "X factor" quality not many can pull off. Pelle Almqvist gives a stellar performance as he's never in the same spot onstage for more than 30 seconds. He hops around through the crowd, leaps onto balconies, climbs upon the speakers and monitors, and dances with the force of a thousand seizures. He is arrogant, brash, animated and appauling all at once. His brilliance as a frontman keeps the crowd thirsty for more insults and cocky clever one liners. His stories are filled with comedy and ego. It's shocking and awesome all at the same time. The music seems to be a fitting background soundtrack to Pelle's act. I'd be surprised if anyone left the club without a huge smile on their faces. "Tick Tick Boom" and "Try It Again" are definite standout tracks on the 'Black and White Album'.

The third show I'm jazzed about is Angels and Airwaves. In the ongoing debate of which Blink 182 spin-off is better (AvA or +44) ... I will definitely go on the record as saying Angels and Airwaves is my favorite. I saw them perform recently at the Myth nightclub in St. Paul. I've been to sold out shows there many times but, this one was different. This show was the most crowded I have literally ever seen that club! Concert goers sang every single song with volume and passion. In fact, most of the time, the crowd overpowered Tom DeLonge's vocals. Angels and Airwaves is inspiring. The musical product is unique, brave, and real. Tom is genuine in his performance and constantly shows his gratitude to the crowd between each song. I feel like he's grown up and maybe that's why I flock more towards AvA instead of the +44 side (which to me basically sounds exactly how you'd expect it to sound, like a Blink 182 spin-off). The newest album 'I-Empire' is now released and the song "Breathe" has been on repeat on my Ipod for weeks. I encourage you to listen to it as it's lyrically and musically a beautiful dream. Don't miss AvA playing warped tour this summer!

*By Jen Panczenko, who is eating Girl Scout cookies like they're going out of style.

Hollywood's Hot Button.

Congratulations are in order for yet another Myspace popularity contest winner - Metro Station. Within barely over a year, this group formed, released a full album in September 2007, and became lucky enough to gather interest and production assistance from Justin Pierre and Josh Cain of Motion City Soundtrack. Sam Hollander (Boys Like Girls, Gym Class Heros) also had a hand in the Metro Station debut. The question remains - can singer Trace Cyrus (stepson of Billy Ray Cyrus) prove his talent or does he owe his band's success to these amazing connections? The Metro Station product is far from falling into the pop and country expectations of the Cyrus family ... in fact, the band's electro-dance sound is something I would pair with Hellogoodbye standards. The lyrics are completely unoriginal and mindless but, at the same time, so catchy it hurts.


While recently in LA, I was offered a chance to catch a sold out Metro Station hometown show at the Troubadour in West Hollywood. I was curious to see how they'd come across live. As I imagined, it was lacking the dance vibe and sounded more emo-rock. At times, the crowd seemed more excited then the artists and I got a little creeped out when Jeffree Star (another proclaimed Myspace celeb) emerged onstage jumping and dancing around. Metro Station may be an overnight internet success but the live show is definitely lacking some spunk. I admit "Control" and "Kelsey" are songs I enjoy listening to - especially when I need some toe tapping simplicity to start my work day - but, the overall stage presence may have to get a bit more interesting.

Lastly, if you want a new band to check out, listen to my current fave The Whigs. "Right Hand On My Heart" is a great southern inspired garage-rock tune. Their second album, Mission Control, was just released on ATO Records and their live show is a mix of energy and passion. Lead singer, Parker Gispert hops around like he has a broken ankle but it makes for an interesting show!

*By Jen Panczenko, who is currently packing for a move to LA in April!

Fit For A King

The Editors are back on tour in the USA and as flawless as ever! Their tour support seems to compliment their cause and liven the sold-out crowds with anticipation. I had the pleasure of enjoying the entire show - front to back - and I'm here to tell you ... grab your tickets now!


Hailing from San Diego since 2003, Louis XIV was the opener for the night. I have enjoyed their songs "Air Traffic Control" and "Finding Out True Love Is Blind". I haven't ventured too deep into the sounds of Louis XIV as I feel the vocals of Jason Hill can get a little too rough and disagreeable at times. I really enjoy their brit-pop, retro glam-rock style though - and their confidence was apparent from the moment they stepped onstage. There have been many unfavorable articles put out there regarding the new album 'Slick Dogs & Ponies' (released in January of 2008) and their live show ... but, based on their sexually driven lyrics (and the fact that they are banned from playing in Alabama), I was curious to see which way I would sway on the pass or fail meter. With a performance outshining their recorded content, I will definitely be giving them another shot. The Killers took them out on tour for a reason ... Mark Maigaard was perfect on drums, James Armbrust played an energetic bass, and Jason Hill's vocals were much more adequate live. The only thing that creeped me out was Brian Karscig (guitar, piano) on background vocals ... at times, he has very feminine undertones in his voice. Click here to put your face on Louis XIV's new album cover.


Next up - Canadian band Hot Hot Heat! I love, love, LOOOOVE their song "Dirty Mouth" and I'm a fan of "Outta Heart" as well. Needless to say, I was quite excited to see these guys play live for the first time. Lead singer, Steve Bays was crazy energetic onstage ... but, past that - the performance slowed. Guitarist, Luke Paquin, was definitely the eye candy of the bunch ... but, sadly, none of the other band members stood out. Overall, I felt things ended on a monotone note. I do recommend the Hot Hot Heat album 'Elevator' and I will catch these boys live again as I do really enjoy their indie-rock/dance chemistry.


Headlining the sold-out show was The Editors! If any inch of your body appreciates genuine music, you will take the time to see this band live. I've written about The Editors before - so, I won't bore you with repetition. The sheer passion in each musicians performance is reason enough to treat yourself and every single song is somehow even better as a captivated audience member. I don't know how they do it - but, I'm addicted - and I will continue to push my way through the sold-out crowds to catch a glimpse of Tom Smith (vocals, guitar, piano) rocking out as he crawls on top of his piano. Honestly, they are flawless!

Lastly, I'm hooked on 'Alone - The Home Recordings of Rivers Cuomo'! It's his first solo attempt away from Weezer and it was released sorta under the radar back in December. It includes the original demo for 'Buddy Holly' and also has Rivers' favorite demos starting as far back as from 1992. Most songs are extremely raw and it feels as if you are sitting across the living room from the artist as he shares with you these unfinished treasures.

*by Jen Panczenko, who is boycotting the SuperBowl this year.

Iowa's Hidden Gem

Hailing from Ames, Iowa - The Envy Corps has somehow skimmed under the radar here in the States, but the British seem to be quite fond of this midwest indie-rock sweetheart (and rightfully so!). With a mix of Radiohead-like vocals and Modest Mouse sounding guitar riffs, The Envy Corps struck the attention of british label - Vertigo (a spin of Mercury Records) and were quickly signed after landing an opening spot on the 2006 fall tour with The Killers. Word has it, The Envy Corps will pick up a handful of opening slots on an upcoming tour with The Editors! I have been anticipating a live performance from this band for some time and was refreshed to see them in a very intimate local venue called The Nomad last night in Minneapolis! With an inspiring mix of experience from divorce and struggles with alcoholism, lead singer Luke Pettipoole creates emotional lyrics that somehow twist into beautiful, light-hearted happiness. An Envy Corps show feels like a gigantic birthday party with claps and group yelps of excitement. In addition to guitar player, Brandon Darner - the Envy Corps consists of brothers David (bass, synth) and Scott (drums) Yoshimura. Keep your eyes peeled for their first major label album release in early 2008!


For those interested, I caught a picture of The Envy Corps set list - which included my favorite song 'Story Problem'! 'Wires and Wool' is also one you should listen to!

*by Jen Panczenko, who made her first gingerbread house this weekend!

Manchester Orchestra's Golden Ticket

This was not the typical 21st birthday for a young musician. No crazy drinks, no fancy strip clubs ... in fact, Manchester Orchestra's lead singer Andy Hull was actually talking to his mom and sister just before walking onstage at the Varsity Theater in Minneapolis. When I read the news of a Manchester Orchestra headlining tour - I was ecstatic! I saw them once earlier this year and they, unfortunately, played with such a huge line-up of bands that by the time they got started, they were already done. I had tickets to see them here later in the year with Colour Revolt - but, as history has it - the 35W bridge collapsed on my way there that night and I couldn't get across the river. It's hard to believe Andy is turning a mere 21 as his lyrics suggest life experience expanding beyond that young stage.


It's rare that I find an album that grabs my attention and actually holds it for an extended period of time. There happened to be a Manchester Orchestra single on a PASTE sampler I received some time ago and I actually remember glancing over it and thinking - 'Paste put classical music on here?!!?' ... seemed odd to me ... but, from the moment I played that first Manchester Orchestra song, it was apparent that this music product is far from what their band name suggests. I immediately purchased their album "I'm Like A Virgin Losing A Child" and I've literally had this on repeat for months. This album is not classical at all - it's one of the most well written pieces of indie rock art I've had grace my ears all year!

Manchester Orchestra has had a busy year. After being listed as one of Rolling Stone's top 10 bands to watch - they accompanied Brand New, Piebald, Colour Revolt, and Kings of Leon on nationwide tours and they also joined the stages at Bonnaroo and SXSW! They traveled to the UK for both the Reading and the Leeds festivals ... AND they even made an appearance on David Letterman! Their live show has often been compared to that of My Morning Jacket, but - in my opinion - it's much better. Andy Hull is captivating during his performance. He was born for the stage and it's obvious the deeper you get into a Manchester Orchestra set. The pure emotion Andy brings to his songs is reason enough to see this band live. In fact, I really don't remember anyone else in the band sticking out during the whole show (except for keyboardist Chris Freeman because at one point I thought he was having a seizure onstage - but realized that's just the way he plays). I really love when a crowd respects an artist or band enough to be completely still during slower songs. At times, the crowd actually sang Andy's words louder than himself ... but, when it came down to the slower intimate songs, you could hear a pin drop as the audience was so quiet and so focused on Andy's intensity. Manchester Orchestra really isn't anything different or new sounding .. but, I think they bring such a unique passion to their music and that alone gets addicting. At times the lyrics seem a little religious but despite this - MO insists they are not a christian band.


Manchester Orchestra formed in 2005 in Atlanta, GA. Drummer, Jeremiah Edmond is actually a studio engineer and has worked on some amazing projects (Bubba Sparxxx to name one). Jeremiah is also one of the founding members of Favorite Gentlemen Recordings - which happens to be the label that MO graces. Andy Hull has also found time to pursue a side project which he calls 'Right Away, Great Captain!' The first album under this pseudonym is an acoustic album which incorporates a storyline about a sailor that leaves his family and Andy wrote it with the direction to be the "saddest record possible". Not many are familiar with this hushed album as Andy doesn't want to take away attention from Manchester Orchestra. He's so humble he even wears his own merch onstage and orders the audience "if you're going to buy one of our shirts - please, don't do that ... purchase albums for the bands we are touring with instead because it's such great music".

I encourage you to take time to give Manchester Orchestra a listen and take a peek at some lyrics. My personal favorite songs are 'Now That You're Home', 'Where Have You Been', and 'I Can Barely Breathe'. During the live performance of 'Where Have You Been', The Annuals ran back onstage with individual drums and jammed along in a drumline-like fashion. It was totally incredible and engulfing. This is honestly one of my favorite live shows of the year and one of my favorite albums. I promise it will not disappoint!

Lastly, the Annuals (from Raleigh, NC) opened for Manchester Orchestra! I was a little distracted at first by the lead guitar player, Kenny Florence - as he bears a crazy resemblance to American Idol singer Sanjaya. Perhaps it was the low lighting or his long hair, but Kenny really did sorta look like Sanjaya. Anyways, Kenny is one of the best guitar players I have ever seen - and, that alone is enough to check out a live Annuals show! Ladies, lead singer, Adam Baker, is quite the eye candy catch at times as well!


*by Jen Panczenko, who is super pumped the Packers won today!

Earlimart!!

We all have girl crushes, right?! I mean, there are the big A celebs like Jessica Alba that make me wonder if it's even legal to look that good ... but, MY girl crush - of course - plays music. Her name is Ariana Murray and she's the bass player / keyboard player for Earlimart!

I had the pleasure of seeing Earlimart at the 400 bar in Minneapolis last week and it was great! A simple indie rock sound mixed with Aaron Espinoza's soothing vocals and Ariana's adorable talent put a smile on my face all night long!

Named after a small town outside of LA, Earlimart got its start when frontman Aaron Espinoza moved from Fresno to a house in Silver Lake (LA) with four roommates - one being Ariana! At the time, Elliott Smith lived in their neighborhood and Aaron has been linked to music production for Elliott - as well as The Breeders. Well, Aaron and Ariana started a relationship and the four roommates eventually began the Earlimart music project. Of course, Ariana and Aaron called it quits and the band went their separate ways. Aaron then wrote the "Everyone Down Here" album and it's rumored that Ariana heard it and was so impressed that she set aside their rocky relationship history and rejoined the band! They have been making music ever since!!!


The setting for the Earlimart show was perfect! It was a cool fall night in the Midwest and the entire stage was covered with fall leaves! Strings of amber lights bundled up with the leaves surrounded all of the instruments and Aaron even had a few leaves attached to his guitar! With the stage lights dim - their amber strands set the intimate scene well. There were even cricket sounds that moved the set from song to song. I truly felt as if I were sitting in a backyard. Earlimart is so simple - yet there is something impressive about the way it all comes together.

At the end of the show, I got a chance to talk to Ariana. She's very magnetic! I'm never starstruck but she is so humble and adorable that it's hard not to stop and stare. After saying "you're awesome" a few times - I purchased their new album "Mentor Tormentor" and was on my way. It's really a great disc! Very fun and happy! I still think their single 'All They Ever Do Is Talk' is my all time favorite Earlimart song ... but, the piano on 'Happy Alone' is very pretty and Ariana's voice is angelic.


On a side note, the Chicago band Office opened for Earlimart. I enjoyed them very much. They have a rad chick drummer named Erica Corniel and their guitar player, Scott Masson, plays his instrument upside-down ... rather interesting. Scott also told a funny story about how he ran away from home when he was 14 and drove a car to Minnesota. Haha! Check out their songs 'The Ritz' or 'Oh My' ... it will get your foot tapping.

*by Jen Panczenko, who is currently eating apple pie!

I heart indie rock (and you will too)!!

I tend to have a short attention span when it comes to weekly commitments – yet, once in a while, I find something that grabs my awareness and makes me clear my schedule. My newest addiction is IndieUprising!! My friend Erica introduced me to this weekly podcast put together by Sean Duregger. After listening to the first broadcast a few weeks ago, it is obvious that Sean is onto something (and his taste in music is right up my alley)!!


So, Sean - tell me a little bit about how you started IndieUprising. What exactly is it to you and what is your long term goal(s)?

IndieUprising had it’s start as Sean’s Unsigned Rock Show. I have a background in Radio and Video Production, but a career never panned out in either, so I’ve always had an interest and dabbled in both. One day, I had just bought a brand new iMac and started subscribing and listening to various podcasts. The idea popped into my head late one night, to start up a podcast of my own using the format of a college radio show I had called The Underground. So, the next day, I set up a MySpace account, named the show, Sean’s Unsigned Rock Show (inspired by my favorite music video show on Fuse, Steven’s Untitled Rock Show), and I started contacting some friends in bands I knew. The show started to gain the attention of bands on independent labels, so I wasn’t playing strictly “Unsigned” artists any more. After a frustrating brain storming month, I was inspired by a line I heard in the movie, Children of Men. I named the show IndieUprising and now am working with labels like Equal Vision Records, Deep Elm Records and a handful of smaller independent labels showcasing their bands. I still have a large amount of Unsigned artists involved with the show.
IndieUprising is me doing my part to showcase a lot of my favorite bands (but not limiting it to strictly my tastes in music). So many bands bust their asses and never make it anywhere. I’m just doing my part to try to get exposure to as many hard working bands as possible. Independent music is where music is still exciting. There’s passion behind it and it hasn’t been tainted by the Corporate Music Robots.
I really have no long term goals yet. Right now I just want to focus on producing a top quality show. I figure if I do that, the rest of the pieces will fit together. But it would be cool to someday have a team of people involved with the show. I would love to just do this for a living, but have too much responsibility with providing for my family to just throw caution to the wind. I’m just enjoying the ride right now.

The IndieUprising website is packed with movies of the week, numerous album reviews, favorite band polls, recent news/headlines - even a store!! Is this a one-man-show or do you have people to help you with your weekly gig?

IndieUprising is 100% a one-man-show right now. My background in web design and multi media really helps me to easily get a lot of content put up. It all comes pretty easily to me. Some weeks are more productive than others, and now with the new baby here, I definitely have less time to work on things. But, I have a pretty strong routine down and am a night owl, so that helps.
The one bit of help I get is a few participating record labels send me their press releases which serve as most of the news content for the site.

What or who are your own personal music influences and how does that reflect what you choose to play on your weekly podcast?

My personal musical influences are pretty diverse. In High-school I was introduced to Punk Rock by a buddy of mine named Zarrie (who’s currently in a band called Albino Spiders). He and another buddy named Brad were my educators in everything punk rock. We’d go see Dillinger Four every chance we had, and First Avenue in Minneapolis was like a second home to us.
But I expanded from just punk rock to a lot of different types of rock. Right now, the bands that have stayed with me are Social Distortion, Face to Face, Fugazi, Sunny Day Real Estate, The Appleseed Cast . . . I can go on and on.
My musical taste comes through in the show, I’m sure. It’s definitely a Rock show. You won’t find any Rap or anything crazy on there. There’s enough sub-genres to Rock to keep everyone happy. I try to be as unbiased as possible. Sometimes I’ll play a band that I’m not too fond of, but I can’t let my personal tastes in music run the show. It wouldn’t be fair. But, my personal tastes do have a slight influence. I mean, I have to be excited about the bands I’m playing!


What is the most challenging thing about the IndieUprising project / podcast?

Right now, the most challenging thing about IndieUprising is balancing between my wife, kids and my real job. I love to do this show. It’s easy to get caught up in it and push everything else aside. So, it’s a balancing act I have to do in order to be a great husband and father, and I have to be realistic and not let it get in the way of my real job.

What is your “real job”?

My “real job” is acting as General Manager for a Land Development company in Southern California. It’s as un-rock-and-roll as they come. But, it was an opportunity that would allow me to provide for my family and survive the cost of living in Southern California. I work 10 minutes from my house and the office hours are flexible, so it works out.

How do you choose your material weekly? How much of what you play is your personal choice and how much is suggestions from elsewhere?

I don’t really have a system for choosing material every week. I get so many submissions and it boils down to the songs with the best production and best songs. About 75% of the material chosen is personal choice, with the rest coming from suggestions from listeners. I get a lot of bands emailing me and sending me Myspace messages. Sometimes the bands that are most persistent will get on the show faster. But only if they have great songs. I really have to be tough with some of these bands, you’d be surprised the kinds of bands that email me.
Word to the wise, if you want to get onto a radio show . . . make sure you have a good recording! Nothing is worse than a crappy recording sandwiched between amazingly produced songs!

What is one of your most memorable band interview stories? Who has been the most fun to chat with?

My most memorable band interview was with North Carolina band Yearling. I record the interviews using an audio program on my computer. We had a great 20 minute interview, I was extremely happy with how it went. I thanked them and hung up, then realized I hadn’t hit the record button! I was so embarassed. I had to call them up and re-do the interview. It turned out OK, but the first interview would have been amazing.
Alanna from Medicated Kisses was the most fun with an interview I’ve had. She has a kick-ass personality and is an amazing person. I love the band as well, so that helps.

I personally already listen weekly - but, let's say I don't .. Convince me to listen to your podcast - What is the one top reason I should subscribe weekly??

If you want to hear 100% independent music, not shoved down your throat by a Corporate Conglomerate that is only interested in numbers, if you love finding new bands every week, and want an un-biased opinion on bands and music, than this is the show for you!
I’m not the best radio host, I say “um” and “cool” way too much, I’m not the funniest guy in the world. But, I think the bands and the music make the show what it is, and I’m blessed to be meeting so many incredible bands. These bands that get excited about being on my show and submitting music, and the labels that have jumped on board are what make this show what it is. And I’m extremely humbled and thankful that people care enough to check out the show!

Thanks Sean!!!

Click here to check out IndieUprising.net!!! Take a peek at IndieUprising on MySpace and listen every Tuesday on xndradio.com (5pm/PST, 7pm/CST, 8pm/EST) OR subscribe to the weekly podcast of the show (posted every Wednesday)!

*by Jen Panczenko, who's excited for new Radiohead!! :)

All I want for Christmas ....

... is a Tenori-On!! Well, pending its release in the States (which looks unlikely at this time).

Japanese media artist Toshio Iwai and Yamaha have teamed up to create a "visual music interface" called the Tenori-On. It's a 16x16 LED switcher with rubber buttons and a similar look to a Lite-Brite (but, I assure you it's much more inspiring). The user composes musical loops and unique light patterns with this new instrument. The goal of the invention is to control "light and sound as comfortably as playing musical instruments or painting pictures" -- Toshio Iwai.

Currently being tested in the London market, the Tenori-On was released overseas on September 4th and runs about $1,200. Hopefully, it will prove to be successful and will make a debut in the USA!

*by Jen Panczenko

Help Wanted Nights

Well, folks, Saddle Creek Records (Cursive, The Faint, Tokyo Police Club, Bright Eyes) has done it again ... an impressive new release from The Good Life! This time lead singer, Tim Kasher has created a music environment wrapped around a unique concept he developed for the new album called 'Help Wanted Nights'. Tim started writing a screenplay in 2006 and initially wanted to create a soundtrack for the film. Front to back - the record takes one through the events in a small town bar (which is the setting for his screenplay). It stays on track with Tim's emotional and narrative writing style - as heard in previous albums.

Since The Good Life released 'Black Out' in 2002, I've been hooked! Tim captures a sentimental approach to life that one can relate to amazingly well. His lyrics are so truthful and his voice so passionate - it's addicting at times. I wondered if that would come across so boldly in a live show - thus, I checked them out for the first time on Thursday when they played at The Triple Rock in MInneapolis.


The Good Life isn't the most energetic bunch of musicians live, but Tim's voice makes up for it. Also, bass player Stefanie Drootin's adorable style makes me want to hug her. Most of the songs came across more mellow live but, when it came time to rock out, the band became incredibly entertaining. Tim jumped down into the crowd during the last song with just his acoustic guitar ... unplugged ... and pure genius. Engulfed in the moment, the audience was speechless.

*by Jen Panczenko, who also enjoys Tim Kasher's other project Cursive.

A boy that loves ... shoes?!!?

Raise your hand if you've been to Birmingham, England.

NO?!

Alright, so neither have I ... BUT, I do rather fancy the accent for some reason. Admit it, ladies - a girl can never get enough of a nice looking English boy. Last night, I had the opportunity to listen to a couple nice looking English boys (from Birmingham) making great music - they are called The Editors.


The Editors caught my attention in the Fall of 2006 when they were nominated for The Mercury Prize (which is an annual music award given to the best album from the United Kingdom or Republic of Ireland). The elected list of nominees for The Mercury Prize was pretty radical that year and, if I remember right, included some of my favorites such as Hot Chip, Muse, Thom Yorke, and the Arctic Monkeys. Although, The Editors did not win (the prize went to the Arctic Monkeys), the buzz on this band grew to new heights and I was hooked the moment I heard a few clips from "The Back Room". Furthermore, I greatly anticipated the June 2007 release of their newest album "An End Has A Start". The album title IS a little generic but, I assure you, the music is not!


Sometimes I get nervous right before I see a band I admire play live for the first time. Such feelings came over me as the guys were walking onto the stage at the Fineline Music Cafe in Minneapolis but, from the moment lead guitarist and synth player Chris Urbanowicz started jamming on his Rickenbacker 620, I was in love. Now, word on the streets is that Chris used to work in a shoe store with drummer Edward Lay for about 3-4 years. Judging from the trendy pair he was sporting onstage, I would say this babe has some knowledge of his shoes (and good style, as well). Personally, I didn't get a chance to ask him but, maybe next time he's in town - I'll kidnap him for a shopping adventure.


Lead singer Tom Smith is extremely captivating live .. he has a very quirky style about him that sort of reminds me of my neighbor's hyperactive kid on rollarskates. Edward packs quite a punch live, as well! The show exceeded my expectations (which was hard to do) and I highly recommend seeing them - even if only for Chris' perfectly messed up hair - you will enjoy it. The only thing I will say on a sad note is that the bass player, Russell Leetch was kind of stuck behind Tom's piano and I didn't get a decent view of his performance.


For those of you interested, I snapped a shot of the set-list for your enjoyment.


Lastly, keeping on our theme of overseas music ... I have run across an alternative indie pop band out of Denmark that I'd like to quickly share with you. The Kissaway Trail. I'm excited about their song "Tracy" and, although their song titles aren't the strongest or most interesting, the music still catches my attention. Plus, Tracy Maurice did their album artwork (you may be familiar with her stuff from the 'Funeral' album by Arcade Fire).


* by Jen Panczenko, who wants to borrow Tom Smith's black hollow body guitar someday!

Lolla and other adventures!

As the weather starts to cool down, I am reminded that summer is nearly over. Unfortunately, I live in a part of America where the majority of the population embraces the change of scenery and temperatures. I do not. I frown upon it - as it means the summer outdoor concert season has come to a close. Boo! Can I at least think back through the last month of summer adventures?! Come with me, my dear ....

In 1991, a gentleman named Perry Farrell (Jane's Addiction, Porno For Pyros, Satellite Party) decided to organize an event he named Lollapalooza. This event was aimed to be similar to Woodstock and it ran annually until 1997. In 2003, it was restarted and I believe was cancelled in 2004 (due to poor ticket sales). Suddenly, a brilliant idea was had ... "let's have it in CHICAGO"! The 'if you build it, they will come' attitude worked! In 2005, Lollapalooza set itself in Chicago's Grant Park and has used that as its destination city/venue every year since. It started out with 4 main stages over 2 days. This past year, it expanded to 9 main stages over 3 days! It was literally 3 full days, nearly 12 hours a day of constant incredible music (along with a sea of endless masses of people)! Chicago's Grant Park not only boasts amazing views of the city's skyline, but it also includes Buckingham Fountain (which should be familiar for those of you who are fans of the old tv sitcom 'Married With Children'). My favorite stage was the Myspace stage on Saturday - as it sort of reminded me of a reunion with the current trendy favorites from Minneapolis - Tapes 'N Tapes, Motion City Soundtrack, and The Hold Steady played back-to-back (Sherwood also played on that stage).


I love watching Motion City Soundtrack's live show ... those guys have so much energy and I always wonder about Jesse Johnson and his synthesizer. I worry for him, actually - it seems he might get whiplash one of these days from playing so crazy. I realistically can't talk about every single band I saw at Lollapalooza as we'd be here until next year! BUT, with that said, I will quickly mention a few more of my favorites. Starting with Saturday - I ADORE Toyko Police Club!!! I believe they are all under 19 and from Canada but you'd never know their age from watching them play. Very entertaining and their indie rock style is super catchy! Silverchair is always another favorite of mine. I still can't believe they were only 15 when they recorded 'Frogstomp'. That album is still to this day one of my favorites! They played some new stuff from their fifth album 'Young Modern' which was released in March of this year. I was bummed nothing was played from 'Frogstomp'. The Yeah, Yeah, Yeahs were weird. Lead singer Karen O was sporting some wacky get-up and I was so busy trying to figure out what it was made of and how it was staying up that I think I lost track of the music! haha! Muse was the best headliner - hands down! It started pouring rain in the middle of their performance and not one person budged.


Lastly, Sunday I was most excited for performances from Paolo Nutini (he has the thickest Scottish accent I've ever heard and it's totally adorable), Kings Of Leon (by far one of most popular performances!), Peter Bjorn and John (whom lost power onstage and, after 20 minutes of waiting for them to return, the heat and crowd made me give up and move on to a different stage), and Amy Winehouse.


Now, Amy Winehouse seemed to be the concert of choice for many artists. I moved up to try and get a few great pictures during her show and I bumped into Ben Harper, Eric Applewick (Tapes 'N Tapes), Craig Finn (The Hold Steady), Eric Harvey (Spoon), and Chris Guanlao (Silversun Pickups)! I'm sure there were many more artists there to see her in the mix of the crowd.

After Lollapalooza, I spent a week in Los Angeles and luckily found myself in town during the outdoor street fair known as Sunset Junction.



It's a weekend festival on a closed-off section of Sunset Boulvard and I stopped by with some friends for Saturday afternoon's events. I saw Sea Wolf - an indie alternative pop band based in LA. It's actually a band formed around Alex Brown Church whom used to be in the LA band Irving. The concert was very entertaining but the heat and sun was sort of overwhelming at times and my friends and I ended up leaving before any other bands made it onstage. I also had the pleasure of seeing Andy Blunda's new project Eject at the Key Club AND James Grundler's project Golden State at the Viper Room that week. I first met Andy around 1998 - during his touring days with Fastball (do you remember their hit song 'The Way'?!). He soon joined James Grundler's project called Paloalto in 1999. If you've never heard of this band, please look them up (Paloalto). Honestly, Paloalto is one of my favorite bands (and sadly they are now broken up)! Their indie alternative sound paired with James' voice and song writing is unbelievable!

Ok, so enough traveling, right?! I'm back in Minneapolis now and I closed out the summer with my last week of warm temps here in the city. The Format returned to the Twin Cities (this time on a headlining tour!) and they played for over an hour I believe! Yah! This made me happy!


Their tour mates Steel Train and Limbeck ruled as well. Now a fact you may not know ... Motion City Soundtrack singer, Justin Pierre loves filmmaking and he paired with Shane Nelson to direct the Limbeck video for "Big Drag". If you've never seen it, take a peek (Big Drag) - it's a clever video shot to look like it was done in one full take (I hear it was really 2 takes but let's pretend it was one).

I also saw Damien Rice's solo acoustic show this past week. UN.REAL. I've been a Damien Rice fan for about a year or so. I think I was late on that bandwagon, but - nonetheless - I attended the show and was quite impressed. As he came out from stage right, the lights fully dimmed ... in fact, they shut off completely - and the only light came from 6 candles placed at the front of the stage. It was literally him, his acoustic guitar, and a grand piano for over 2 1/2 hours! He played his heart out (and occasionally told us funny stories between songs with his sassy Irish accent). At the end of the concert, he sat onstage heavily drinking a bottle of wine and telling the story behind the song "Cheers Darlin'" ... apparently it's about a man who bumped into a beautiful girl in front of a bar as they ran inside to get out of the pouring rain one night. They clicked right away and sat at the bar all night laughing and drinking. Suddenly, it's last call and they begin gathering their things and paying their tabs. This man is so excited about this woman and their connection. He wants to spend more time with her but, she leans over right then and whispers that she must get going as her boyfriend will be there soon to pick her up! He is shocked ... BOYFRIEND?!!! ... oh no - how disappointing ... and, that - my friends, is where the song begins. Now, go play it and listen with this story in mind. It will hurt your heart (in a good way).

* by Jen Panczenko, the "new girl" - thanks for reading!