* I'm going thru the PV archives and realized since I took all the editorial off PlanetVerge.com, and this interview never made it to print, it won't see the light of day it deserves... So without further adieu....
Interview by Joelle
Mat Devine is leaning against a sink in the dimly lit women’s room of The Starland Ballroom, sending a text message with chipped white-polished nails. “I can text really rapidly,” he proclaims pre-interview. His time managing skills must be a result of the constant demands on him, as the singer for Kill Hannah, one of indie rock’s most wanted.
Mix The Cure’s Robert Smith, Nine Inch Nails’ Trent Reznor and Depeche Mode’s Martin Gore in a blender with The Smashing Pumpkins and Psychedelic Furs, and you’ve got the dirtied up, American cocktail for your ears Kill Hannah exudes.
Thanks to the single, “Lips Like Morphine,” off their sophomore Atlantic Records release, “Until There’s Nothing Left of Us,” Kill Hannah have broken back into the public eye. There was a time when perhaps no one thought that would happen. After all, it’s been four years since the band’s debut, “For Never and Ever,” which spawned the smash hit “Kennedy.” But now Kill Hannah are finally getting the push they deserve.
“For Never and Ever,” according to the band, was eleven songs of basically untapped potential. “10 More Minutes With You” and “Boys and Girls” could have taken on radio chart-toppers, if released then, or even today. They’re that good. But there’s no use dwelling on the past, as Devine has learned.
“If you allow things like that to frustrate you, you’ll never get out of bed,” he says, holding the tape recorder close to his mouth, as he doesn’t trust recording devices.
“The way major labels work is so irrational and so hard to comprehend. It used to really drive me crazy until I realized that I can’t change it and it’s just getting upset for a hurricane or something that you can’t control. I’ve always believed that if I could run a record label for a month, I would probably save them about $25 million. I think there are a lot of crappy bands that get a lot of attention and labels waste a lot of money on really horrible bands. In a perfect world, the most powerful people would have the best taste and the best common sense, but it’s just not that way.”
He does, however, make sure Kill Hannah is projected in the way the band wants.
“We do everything. We design our own merch. We did the last album cover and CD packaging, a lot of our Web site, our MySpace page… We’re very hands on.”
Devine has lived and breathed his band since it first formed ten years ago. “We’ve stayed together the first half of our career because it’s all I ever thought about,” he reveals. “I was probably the driving force behind it. I was so focused on it that nothing could break up the band because I did almost everything.”
He continues, “I had really good friends and really talented people around me helping, but as other things came up, whether its relationships, work, family, travel or whatever, we started to take the band more seriously. The members of the band became much more professional from the musicianship to the dedication. For the second half of our career, we stayed together mainly through because it took so long to assemble the right band, that’s just really it. We didn’t compromise. Everybody in this band is essential and we lean on and inspire each other.”
Then he smiles and says, “Also, we’re fucked now. We don’t have jobs and we don’t have insurance, so there’s no where else we can go. So I guess it’s a combination of being really into our band and also having no choice. We trapped each other.”
However, feeling trapped is hardly the driving force behind Devine. It’s rather a genetic predisposition, he says, that propels him to create art, whether it be working on a film or writing song lyrics.
While in college, Devine majored in English for two years, then art/photography, followed by film and video. It was also there that he met Hannah Ekberg, the girl who broke his heart and inspired the band’s name.
Today, the tables have turned and girl’s hearts flutter and sigh every time they see him on stage, ask for an autograph and then must bid him adieu. Devine laughs when told that when Planet Verge sent out a bulletin asking fans to send in their burning questions for Kill Hannah, every single one of them was along the lines of “Ask the singer if he’ll marry me/wants my number, etc.”
However, fan interaction is vital in the Kill Hannah camp. Devine and his band mates (Greg Corner- bass, Jonathan Radtke- guitar, Dan Wiese- guitar) believe that maintaining a relationship with their fans is everything.
“It’s been really important since day one. We have kept printed e-mails going back to the late 90s that kids sent us. From the very beginning, we responded to everything very personally and we took so much time and effort. Now it’s really impossible to do that. But, with MySpace comments and if they’re sincere, we write them back. If it’s not someone in the band, it’s someone who works closely with the band,” he confirms.
Kill Hannah are also relying on the good ‘ol Internet to pave the way for their next single, “Crazy Angel.” Devine promises the concept for the video is “awesome,” and if all goes as well, the song will prove ten times bigger than “Lips Like Morphine.”
He describes the plan starting with “The single gets pushed first through Internet marketing, then to Internet radio, then commercial radio and hopefully the video will begin getting some air. If it’s done well enough, hopefully it’ll be a viral video. If people stick to the marketing plan that I just saw a week ago, then three months from now, people will start talking about the song “Crazy Angel,” whether you’ve seen the video or heard it.”
For now, Devine is focused on finishing up this tour with Papa Roach and It Dies Today. Tomorrow will be the last day and a lot of pranks are planned. But those won’t be the highlights when he looks back on these past few weeks. His favorite part of touring is actually outside the venue. “When I go wander by myself and find some weird part of town, weird stores or restaurants and meet someone cool,” he explains.
One recent city that really struck a chord with Devine is Asbury Park, New Jersey. “You can’t wander that far in Asbury Park without a body guard or something,” he half jokes.
“But that place is just a music video waiting to happen. Decrepit old scary buildings… A place that was once designed for amusement is now a hotbed for crack trade. It’s such a bizarre contradiction. And plus, it’s on the ocean. Where else is beachfront property worth nothing?”
Next month, Kill Hannah will embark on a UK tour and they’ll be plenty more streets to wander. While Devine hints that another really big tour is being worked out, one thing is for certain, Kill Hannah will capture everyone in their path.
Tuesday, November 27, 2007
Wednesday, November 21, 2007
Model for a Day
When my friend sent me a pass-along e-mail from Marie Claire magazine's Shopping Editor, Zoe Glassner, seeking 101 "real women" to model 101 holiday dresses, I replied for the hell of it. I didn't give it a second thought until they contacted me to actually take part in it!
So I burried my fear of having a group of people staring at me (I'm shockingly shy at times) and went. I had to arrive at the shoot with NO MAKEUP, which meant venturing to NYC behind big sunglasses. I've never left the house less than perfect for something where I'm going to interact with people. So it was a big deal. My friend warned me they might take a "before" picture, which thankfully they didn't.
Also lucky for me was that the photographer directed me exactly what to do so I didn't have to do any dance crap up there. I seriously freaked a bit when I saw girls having to do that but I got a prop to sit on! And I didn't have to wear a dress from the GAP, which was the original plan they had. I actually got to play up a goth look (and had to have make-up redone cause it was "too goth" originally).
It was fun to get hair and make-up done for a day and be the one infront of the camera for once. Pick up the Dec. issue with Nicole Kidman on the cover. Or check out this picture I stole off the Web.
So I burried my fear of having a group of people staring at me (I'm shockingly shy at times) and went. I had to arrive at the shoot with NO MAKEUP, which meant venturing to NYC behind big sunglasses. I've never left the house less than perfect for something where I'm going to interact with people. So it was a big deal. My friend warned me they might take a "before" picture, which thankfully they didn't.
Also lucky for me was that the photographer directed me exactly what to do so I didn't have to do any dance crap up there. I seriously freaked a bit when I saw girls having to do that but I got a prop to sit on! And I didn't have to wear a dress from the GAP, which was the original plan they had. I actually got to play up a goth look (and had to have make-up redone cause it was "too goth" originally).
It was fun to get hair and make-up done for a day and be the one infront of the camera for once. Pick up the Dec. issue with Nicole Kidman on the cover. Or check out this picture I stole off the Web.
Loud and Proud- Joelle is a Backstreet Boys Fan
I've been waiting a while to review the new Backstreet Boys CD because I really wanted to devour the album before I made any public comments. While I'm very proud of myself for not holding an obsessive countdown until the release date (actually I barely even paid attention to the fact that a new CD was in the works and I didn't even listen to it the day it came out!), I will admit a bit of BSB fever hit me once I actually got my hands on Unbreakable. But still, I couldn't review it right away. If I did, my story would begin with flashbacks to my younger days when my best friend (who pleaded with me to remain nameless at present time--ahem, Noelle) and I would awake at 4 am only to sit wrapped in blankets outdoor Ticketmasters in a snowstorm until doors opened and we could purchase BSB concert tix.
It would recall my intrigue with the group before they even released their break-thru single, "Quit Playin' Games," because I read about them in British magazines. You would feel my pain as I told you that the first NYC appearance for the Boys was also during my vacation to California. And how I sent Noelle with a video camera to the Virgin Mega Store autograph signing. But instead of getting me phootage of the group, I was welcomed home with video of girls trampling her.
Perhaps I'd post some embarressingly old pictures of us and the band backstage at Hammerstein Ballroom for their first NYC show. And blush as I revealed that AJ told me "Damn, you smell good girl!" Or cringe at the cost we paid for floor seats at
AJ's solo "Johnny No Name" tour.
Ok I'm going to stop now because the rest would just diminsh the level of professionalism in this industry we have both worked like dogs to achieve.
Back to the music.
Backstreet are born entertainers. They're not here to change the musical landscape, or let's be honest, credibility. When those guys hit the stage, it's to put on a show, just like the dancers in Vegas. Yes, I wish the group wrote ALL the lyrics they croon, but it's just not going to happen. Neither is them playing their own instruments. Come on, how would they pull off those skilled shoe-shakin' moves if they had to strum guitars or were locked down behind a drum kit? So all the neysayers, shove it. You're missing out on a guilty pleasure.
However, I feel no shame and will scream it from any front row- I am a Backstreet Boys fan. I grew up with them and even though I'm now a 26 year-old engaged music publicist/editor for an extremely reputable company, that love of timeless Pop music has not faded. Nor has my little-girl crush on the group's badboy, AJ Mclean. But at least now I can give him a run for his money with tattoos.
So let's talk about AJ for a minute. As the member with the strongest, most distinctive voice, it was only natural to have him open up the new album singing an acapella track that nicely ties together with the closing track.
Though I would have advised a little more fine-tuning before the release of the BSB comeback album--like making sure each and every track made a statement that said "this group is not going anywhere," I really enjoy it. Nothing really diverts from the band's classic signature sound, but only a few tracks can really back up a reasoning for that. "Trouble Is" and "Unsuspecting Sunday Afternoon" are extremely beautiful songs with Top 10 written all over them.
One shocking event was finding out that 'N Sync member, JC, co-wrote and arranged vocals on the track "Treat Me Right." At first I was dissapointed by the result of the collaboration and expected more of a giant Pop song. But over numerous listens, I've really come to appreciate it. And no one can write a Pop song better than Butch Walker anyway.
I wish I could say I miss Kevin Richardson, who chose not to reunite with the group for this album. But sadly, he was never given the chance to become a distinctive member of the group. Yet, he had a better voice then heart-throb Nick Carter, who gets a lot of the leads.
Thankfully, there are no filler songs so corny that I feel embarresed for them just listening to it. You know, like "The Perfect Fan," from past efforts?
I even think that releasing "Inconsolable" as the first single may not have been the greatest idea. Yes, it's a catchy hit. But it's the safe bet and not too far away from the lead single "Incomplete" off their last release. A&R at the label should have went with "Unsuspecting Sunday Afternoon" instead. The lyrics are so touching that I can picture a singer-songwriter releasing it and getting a Number One Hit. AND all four members co-wrote it. Why won't someone just let them take control? This song is better than any other on the album, that pro songwriters were brought in to craft. Come on! The label could have even done some radio teasers and played the acapella intro because it says "no matter what you think, these are four talented vocalists."
That's the bottom line.
I can't wait to catch the live show. Hang up your skinny jeans and stuck up nose and maybe I'll see you there!
Love,
Joelle
It would recall my intrigue with the group before they even released their break-thru single, "Quit Playin' Games," because I read about them in British magazines. You would feel my pain as I told you that the first NYC appearance for the Boys was also during my vacation to California. And how I sent Noelle with a video camera to the Virgin Mega Store autograph signing. But instead of getting me phootage of the group, I was welcomed home with video of girls trampling her.
Perhaps I'd post some embarressingly old pictures of us and the band backstage at Hammerstein Ballroom for their first NYC show. And blush as I revealed that AJ told me "Damn, you smell good girl!" Or cringe at the cost we paid for floor seats at
AJ's solo "Johnny No Name" tour.
Ok I'm going to stop now because the rest would just diminsh the level of professionalism in this industry we have both worked like dogs to achieve.
Back to the music.
Backstreet are born entertainers. They're not here to change the musical landscape, or let's be honest, credibility. When those guys hit the stage, it's to put on a show, just like the dancers in Vegas. Yes, I wish the group wrote ALL the lyrics they croon, but it's just not going to happen. Neither is them playing their own instruments. Come on, how would they pull off those skilled shoe-shakin' moves if they had to strum guitars or were locked down behind a drum kit? So all the neysayers, shove it. You're missing out on a guilty pleasure.
However, I feel no shame and will scream it from any front row- I am a Backstreet Boys fan. I grew up with them and even though I'm now a 26 year-old engaged music publicist/editor for an extremely reputable company, that love of timeless Pop music has not faded. Nor has my little-girl crush on the group's badboy, AJ Mclean. But at least now I can give him a run for his money with tattoos.
So let's talk about AJ for a minute. As the member with the strongest, most distinctive voice, it was only natural to have him open up the new album singing an acapella track that nicely ties together with the closing track.
Though I would have advised a little more fine-tuning before the release of the BSB comeback album--like making sure each and every track made a statement that said "this group is not going anywhere," I really enjoy it. Nothing really diverts from the band's classic signature sound, but only a few tracks can really back up a reasoning for that. "Trouble Is" and "Unsuspecting Sunday Afternoon" are extremely beautiful songs with Top 10 written all over them.
One shocking event was finding out that 'N Sync member, JC, co-wrote and arranged vocals on the track "Treat Me Right." At first I was dissapointed by the result of the collaboration and expected more of a giant Pop song. But over numerous listens, I've really come to appreciate it. And no one can write a Pop song better than Butch Walker anyway.
I wish I could say I miss Kevin Richardson, who chose not to reunite with the group for this album. But sadly, he was never given the chance to become a distinctive member of the group. Yet, he had a better voice then heart-throb Nick Carter, who gets a lot of the leads.
Thankfully, there are no filler songs so corny that I feel embarresed for them just listening to it. You know, like "The Perfect Fan," from past efforts?
I even think that releasing "Inconsolable" as the first single may not have been the greatest idea. Yes, it's a catchy hit. But it's the safe bet and not too far away from the lead single "Incomplete" off their last release. A&R at the label should have went with "Unsuspecting Sunday Afternoon" instead. The lyrics are so touching that I can picture a singer-songwriter releasing it and getting a Number One Hit. AND all four members co-wrote it. Why won't someone just let them take control? This song is better than any other on the album, that pro songwriters were brought in to craft. Come on! The label could have even done some radio teasers and played the acapella intro because it says "no matter what you think, these are four talented vocalists."
That's the bottom line.
I can't wait to catch the live show. Hang up your skinny jeans and stuck up nose and maybe I'll see you there!
Love,
Joelle
SPOTLIGHT FEATURE...
CHAOSIS
I will be honest, I have in fact been putting off writing this article. I have been putting it off until this point because what is the point in writing about the fully bloomed flower until its ACTUALLY a flower? There is no point, you wouldn't.
You really wanna read this article. Trust me.
My freshman year in high school (which feels like 2847305209 years ago) I met a boy named Jay. We became great friends, and he showed me things about the music world that I would have never ever been exposed to if it weren't for him. Boys and girls, you have him to thank for this whole music journalism thing... Thanks Jay. Anyways, as time went on our friendship faded in and out, but during that time (about 2 years ago) Jay put together a band and they named it Chaosis. It is with all the pride and honor in the world that I now write about them...
Chaosis is made up of Rudy (bass and vocals), Mason (guitar), John (guitar and vocals), and Jay (drums). Since the bands conception they have gone through the expected phases that any band that's starting up would go through, they hit bumps in the road and I'm sure have been about to break up about 67 times. Now, however, they are more solid than a lot of major label bands I know. They play with confidence and practice as if they are performing. Their sound has gone from being a group of gifted musicians to a talented mature sounding band.
Their EP which was self entitled blew me away, not knowing what to expect, I listened to it completely subjectively. They were able to capture and suspend melodic riffs and vocals in moments that would leave your jaw on the floor. Songs such as 'Chaosis' and 'Astronaughty' (a personal fav) truly give you a feel for the bands' vibe and sentiment. For a bunch of teenagers just looking to stumble upon talent and make a band successful, I think that have done more than that. I would recommend them to anyone.
Chaosis has truly rose from underdog new band to well respected band of musician status. They have played shows at the world famous Stone Pony, The Saint, Chubby's, the Kevin Says! Stage at the 2007 Vans Warped Tour, and numerous other known venues along the eastern seaboard.
For me, Chaosis is more than music; to their fans, they are fun loving and an inspiration for anyone who may want to start a band. Where they are going to end up? If they continue like this, I believe they will be at the top along side their inspirations. Each member brings something to the table, but they all feed off of each others drive and will to be better and to explore new avenues...and my friends, THAT is what separates a band from a successful band.
They are playing their last show of the year on November 24th at the Internet Cafe in Red Bank. You should go, seriously. Go to the show and LISTEN to them. Buy their album and HEAR them.
Thank you. Good luck, my friends.
By Amanda who doesn't know what she would do without her freshman year.
I will be honest, I have in fact been putting off writing this article. I have been putting it off until this point because what is the point in writing about the fully bloomed flower until its ACTUALLY a flower? There is no point, you wouldn't.
You really wanna read this article. Trust me.
My freshman year in high school (which feels like 2847305209 years ago) I met a boy named Jay. We became great friends, and he showed me things about the music world that I would have never ever been exposed to if it weren't for him. Boys and girls, you have him to thank for this whole music journalism thing... Thanks Jay. Anyways, as time went on our friendship faded in and out, but during that time (about 2 years ago) Jay put together a band and they named it Chaosis. It is with all the pride and honor in the world that I now write about them...
Chaosis is made up of Rudy (bass and vocals), Mason (guitar), John (guitar and vocals), and Jay (drums). Since the bands conception they have gone through the expected phases that any band that's starting up would go through, they hit bumps in the road and I'm sure have been about to break up about 67 times. Now, however, they are more solid than a lot of major label bands I know. They play with confidence and practice as if they are performing. Their sound has gone from being a group of gifted musicians to a talented mature sounding band.
Their EP which was self entitled blew me away, not knowing what to expect, I listened to it completely subjectively. They were able to capture and suspend melodic riffs and vocals in moments that would leave your jaw on the floor. Songs such as 'Chaosis' and 'Astronaughty' (a personal fav) truly give you a feel for the bands' vibe and sentiment. For a bunch of teenagers just looking to stumble upon talent and make a band successful, I think that have done more than that. I would recommend them to anyone.
Chaosis has truly rose from underdog new band to well respected band of musician status. They have played shows at the world famous Stone Pony, The Saint, Chubby's, the Kevin Says! Stage at the 2007 Vans Warped Tour, and numerous other known venues along the eastern seaboard.
For me, Chaosis is more than music; to their fans, they are fun loving and an inspiration for anyone who may want to start a band. Where they are going to end up? If they continue like this, I believe they will be at the top along side their inspirations. Each member brings something to the table, but they all feed off of each others drive and will to be better and to explore new avenues...and my friends, THAT is what separates a band from a successful band.
They are playing their last show of the year on November 24th at the Internet Cafe in Red Bank. You should go, seriously. Go to the show and LISTEN to them. Buy their album and HEAR them.
Thank you. Good luck, my friends.
By Amanda who doesn't know what she would do without her freshman year.
Monday, November 19, 2007
Happy Birthday, Jess!
Jessica's too modest to tell everyone it's her 21st b-day today, so I'm gonna do it for her, even though it makes me feel really old.
What better way to celebrate than at a Butch Walker show?
Yep, so come bring Jess come cookies (Lord knows she bakes enough cakes for everyone else!) and hang out with us PV girls on Saturday night. Jen is even flying in from MN for Butch's Maxwells show because it's just gonna be THAT good.
Wait, read our report on it and you'll see.
*Joelle, who likes to spend Sundays at the dog park, even though her dog isn't too find of the mingling.
What better way to celebrate than at a Butch Walker show?
Yep, so come bring Jess come cookies (Lord knows she bakes enough cakes for everyone else!) and hang out with us PV girls on Saturday night. Jen is even flying in from MN for Butch's Maxwells show because it's just gonna be THAT good.
Wait, read our report on it and you'll see.
*Joelle, who likes to spend Sundays at the dog park, even though her dog isn't too find of the mingling.
Thursday, November 15, 2007
Whooooooooa (NO!)
I really want to know what the big friggin' deal is about Paramore. To me, they sound like Panic! At the Disco with a girl singer, and I think Panic! are grossly overrated as is. Frankly, if you have a punctuation mark in your band name (and are not a member of !!!, who are actually good), you're probably a bunch of pretentious, monotonous douchebags.
Hayley Williams does have a strong voice, but that's the only thing that makes her otherwise cookie cutter band unique. Their lyrics aren't profound, their live show isn't groundbreaking, and their material just isn't as mindblowing as I find people (read: tween girls with studded belts) make it out to be.
Also on my mediocre-to-shit list:
- The Honorary Title. I don't care if their frontman is or was dating Kelly Osbourne. Ozzy's money can't buy you a hook.
- Stores putting up Christmas displays before Thanksgiving. Why are we in such a rush? Life is so SHORT!
- Kanye West, for not putting his "Bittersweet" collaboration with my husband (shut up, a girl can dream) John Mayer on Graduation; but a bigger one to his mom's plastic surgeon. Godspeed, bro.
- The Junior Varsity for only just recently confirming their breakup, as well as for breaking up to begin with.
- And any band who feels the need to put their hidden tracks twenty minutes after the last song on a record.
*By Jess, who is excited for Monday!
Hayley Williams does have a strong voice, but that's the only thing that makes her otherwise cookie cutter band unique. Their lyrics aren't profound, their live show isn't groundbreaking, and their material just isn't as mindblowing as I find people (read: tween girls with studded belts) make it out to be.
Also on my mediocre-to-shit list:
- The Honorary Title. I don't care if their frontman is or was dating Kelly Osbourne. Ozzy's money can't buy you a hook.
- Stores putting up Christmas displays before Thanksgiving. Why are we in such a rush? Life is so SHORT!
- Kanye West, for not putting his "Bittersweet" collaboration with my husband (shut up, a girl can dream) John Mayer on Graduation; but a bigger one to his mom's plastic surgeon. Godspeed, bro.
- The Junior Varsity for only just recently confirming their breakup, as well as for breaking up to begin with.
- And any band who feels the need to put their hidden tracks twenty minutes after the last song on a record.
*By Jess, who is excited for Monday!
Troy Akers: Musical Gold in the ♥ of Nashville
This past Tuesday I went to the small, local venue/eatery Christopher's Pizza. A place known for its intimate setting for small bands and acoustic performances (I hear the pizza's not bad, too). The room was filled with Belmont University students. The man they came to see was Troy Akers, a fellow Belmont student, Starbucks employee, and singer/songwriter. Hmm...sound like anyone you know? The struggling music student employed by a coffee shop?
As Akers approached the stage, I couldn't help but notice his small frame, tall hair, big boots, tight jeans, and a fashionable vest. He is all that is known as "the Nashville scene," and no, I don't mean that as a compliment. I sat there hoping his music had more originality than his apparel. Although, I must say original music seems difficult to accomplish in a town full of posers and indie rock (not to mention cliche country songs and John Mayer followers galore).
Akers quickly sits behind a keyboard and 2 violinists join him on stage. Already, I'm impressed. Perhaps he is different from the usual young, good-looking guy and his acoustic guitar. In fact, there's no guitars at all. Akers introduces the show with an introduction song...no, really. He sings a welcoming tune and I can't figure out if he's kidding or serious, so I refrain from giggling too loudly.
As his set goes on, I can't help but smile as I feel I'm one of the firsts to experience this musical gold. He is by far one of the best local performers I've seen to date. I also can't help but smile as I notice Akers dimples form with each note he intensely sings.
To sum up Troy Akers show: beautiful vocals, intelligent lyrics, and talent bursting from the stage and pouring into the audiences ears. This is why I go to shows, this is why I write reviews, this is why I'm still around the music industry. Simply put...raw talent!
For more information on Troy Akers, visit his solo Myspace at: www.myspace.com/troyakersmusic
Or visit his band's site at:
www.myspace.com/kennedyrock
Other artists that played that night that I HIGHLY recommend are:
Katie Ro and The Most - www.myspace.com/katieroandthemost (listen to the track "jack and jill")
Matt Dragstrem - www.myspace.com/dragstrem (listen to "south of chicago")
LOVEHATEHERO
It’s such a cliché to start an interview/article off like this, but I truly feel the need…I had the divine opportunity to chat with the guys in the SoCal punk/rock/screamo band LoveHateHero… Really guys, it was amazing. Going into the interview knew two things 1. Their album (which you obviously need to buy if you aren’t rocking out to it already) “White Lies” is above and beyond something you can normally expect from an artist in their genre and 2. They bring the 15 year old girls out screaming. The band is made up of Pierrick(vocals), Paris(bass), Kevin(guitar), and Scott(drums).
After gathering all the guys together we made our way to the freezing cold balcony where the oh-so-adorable (and mighty flirtatious) Paris (bassist) offered me his jacket and our interview…no, journey began. With every interview I find that there is usually a flow to it or the ‘interviewee’ knows when to wrap up their answer and wait for the next question I muster up to be unveiled, however, with these guys we had no such situation…it was free flowing and very conversational. As my questions and their questions were unrolling and evolving, I was discovering more and more about them and my respect for them as artist(s) was growing by the second. They are normal, really cool dudes.
They are a band that can truly say that they have been through it all. After having band members depart, they kept their stuff together and forged on to create what we know have the opportunity to enlighten our ears with, ‘White Lies.’ While they have had their fair share of struggles and a band, however, they claim their biggest embarrassment to this point is…well, Paris. They claim now to be together and have a really solid feeling about the band and the final line-up of members.
LoveHateHero has such a unique sound for their genre. It is hard to describe it unless you hear it for yourself, then you will really understand. While I absolutely love their CD (I would have to say that my favorite song off it is Amity), the live performance that they put on is definitely a strength. Having the talen on an album is one thing, being able to pull it off live is another...and they can do it. Their musically maturity has grown with this album and you can hear the vocal power that their front man Pierrick brings to the group as well as the melodic marriage between each other members’ parts. Pierrick's vocals can bring goosebumps to your skin while the instrumentals send chills down your spine. The pretty intense sounding guitar solo's could definitely go up against those of the best of the best in metal. LoveHateHero is no doubt in my mind a TREMENDOUS live band. Saints and Sinners was a great place for them to showcase that.
I had the opportunity to spend sometime with the guys outside the interview and in a somewhat normal setting. They are fun loving, spontaneous, funny, caring, and daring. Each personality brings a twist to the table. After getting to know them I found that their music really reflects them. All artists say that they put themselves into their music, but sometimes they just say that and they go a head and try and write an album that will sell…not the case here. They don’t hide who they are. Their album is honest, and their performance kicks ass. Go see them.
(in picture:band+crew)
Their future is bright, and they made no mention of slowing down anytime soon. Something that they were sure to drive home was that they genuinely love their fans, they are very active with their own self-promotion and they love to meet the people that listen to them.
By Amanda who misses hanging out with LHH
Tuesday, November 13, 2007
BANG CAMARO!
If you are reading this article and wondering to yourself (or maybe the person sitting next to you) who the hell is Bang Camaro? Get savvy.
I was fortunate enough to talk to ALL 28472409 members of the ultra unique, ass kicking rockability of Bang Camaro. We sat around a table discussing everything from most embarrassing moment to favorite album of all time to where they would want to play their LAST show ever. Let me just say- shy, they are not. By the end of the interview I had successfully determined that there is a good chance that Bang Camaro could take over the world, then I thought again and realized that they already are the world, next is the universe....hey, they have enough men in the band to do it.
Saints and Sinners brings out the best in the genres of alternative rock, punk rock, a more 'metalish' rock, and screamo. After checking out Bang Camaro's performance, I officially understand why they were there. With all the members playing a vital role in the bands overall sound, they fill your ears with inter genre gymnastics (boys and girls, describing the indescribable is relatively difficult). Playing songs that make you wanna sing along, scream and dance all at once is what makes them so freakin' awesome. Their performance is packed with as much personality as they have when they are off the stage.
When I asked them about embarrassing moments, they had a plethora of stories and to hell was I going to stop them in the middle of one. Between disappearing when you are supposed to be home for dinner, family members think you're a 'missing persons' and nearly getting deported... Where should I start?
This is a band with too many members to mention them all and do them justice, and with all that positive energy and talent, it does not seem like they are going to be fading out of the scene anytime soon. In five years where do they see themselves? Hopefully still doing what they are doing now. Its not just them hoping that. I can see great things for them, and I wish them all the very, very best. Musically they are a trip...for sure. On a personal/interview level, they are a whole vacation.
The charismatic nature of this band made it difficult to keep a straight face, and by the end of the interview, my stomach muscles hurt from laughing so hard. You need to check them out.
www.bangcamaro.com
By Amanda who is a little upset about her camera.
Sunday, November 11, 2007
Manchester Orchestra's Golden Ticket
This was not the typical 21st birthday for a young musician. No crazy drinks, no fancy strip clubs ... in fact, Manchester Orchestra's lead singer Andy Hull was actually talking to his mom and sister just before walking onstage at the Varsity Theater in Minneapolis. When I read the news of a Manchester Orchestra headlining tour - I was ecstatic! I saw them once earlier this year and they, unfortunately, played with such a huge line-up of bands that by the time they got started, they were already done. I had tickets to see them here later in the year with Colour Revolt - but, as history has it - the 35W bridge collapsed on my way there that night and I couldn't get across the river. It's hard to believe Andy is turning a mere 21 as his lyrics suggest life experience expanding beyond that young stage.
It's rare that I find an album that grabs my attention and actually holds it for an extended period of time. There happened to be a Manchester Orchestra single on a PASTE sampler I received some time ago and I actually remember glancing over it and thinking - 'Paste put classical music on here?!!?' ... seemed odd to me ... but, from the moment I played that first Manchester Orchestra song, it was apparent that this music product is far from what their band name suggests. I immediately purchased their album "I'm Like A Virgin Losing A Child" and I've literally had this on repeat for months. This album is not classical at all - it's one of the most well written pieces of indie rock art I've had grace my ears all year!
Manchester Orchestra has had a busy year. After being listed as one of Rolling Stone's top 10 bands to watch - they accompanied Brand New, Piebald, Colour Revolt, and Kings of Leon on nationwide tours and they also joined the stages at Bonnaroo and SXSW! They traveled to the UK for both the Reading and the Leeds festivals ... AND they even made an appearance on David Letterman! Their live show has often been compared to that of My Morning Jacket, but - in my opinion - it's much better. Andy Hull is captivating during his performance. He was born for the stage and it's obvious the deeper you get into a Manchester Orchestra set. The pure emotion Andy brings to his songs is reason enough to see this band live. In fact, I really don't remember anyone else in the band sticking out during the whole show (except for keyboardist Chris Freeman because at one point I thought he was having a seizure onstage - but realized that's just the way he plays). I really love when a crowd respects an artist or band enough to be completely still during slower songs. At times, the crowd actually sang Andy's words louder than himself ... but, when it came down to the slower intimate songs, you could hear a pin drop as the audience was so quiet and so focused on Andy's intensity. Manchester Orchestra really isn't anything different or new sounding .. but, I think they bring such a unique passion to their music and that alone gets addicting. At times the lyrics seem a little religious but despite this - MO insists they are not a christian band.
Manchester Orchestra formed in 2005 in Atlanta, GA. Drummer, Jeremiah Edmond is actually a studio engineer and has worked on some amazing projects (Bubba Sparxxx to name one). Jeremiah is also one of the founding members of Favorite Gentlemen Recordings - which happens to be the label that MO graces. Andy Hull has also found time to pursue a side project which he calls 'Right Away, Great Captain!' The first album under this pseudonym is an acoustic album which incorporates a storyline about a sailor that leaves his family and Andy wrote it with the direction to be the "saddest record possible". Not many are familiar with this hushed album as Andy doesn't want to take away attention from Manchester Orchestra. He's so humble he even wears his own merch onstage and orders the audience "if you're going to buy one of our shirts - please, don't do that ... purchase albums for the bands we are touring with instead because it's such great music".
I encourage you to take time to give Manchester Orchestra a listen and take a peek at some lyrics. My personal favorite songs are 'Now That You're Home', 'Where Have You Been', and 'I Can Barely Breathe'. During the live performance of 'Where Have You Been', The Annuals ran back onstage with individual drums and jammed along in a drumline-like fashion. It was totally incredible and engulfing. This is honestly one of my favorite live shows of the year and one of my favorite albums. I promise it will not disappoint!
Lastly, the Annuals (from Raleigh, NC) opened for Manchester Orchestra! I was a little distracted at first by the lead guitar player, Kenny Florence - as he bears a crazy resemblance to American Idol singer Sanjaya. Perhaps it was the low lighting or his long hair, but Kenny really did sorta look like Sanjaya. Anyways, Kenny is one of the best guitar players I have ever seen - and, that alone is enough to check out a live Annuals show! Ladies, lead singer, Adam Baker, is quite the eye candy catch at times as well!
*by Jen Panczenko, who is super pumped the Packers won today!
It's rare that I find an album that grabs my attention and actually holds it for an extended period of time. There happened to be a Manchester Orchestra single on a PASTE sampler I received some time ago and I actually remember glancing over it and thinking - 'Paste put classical music on here?!!?' ... seemed odd to me ... but, from the moment I played that first Manchester Orchestra song, it was apparent that this music product is far from what their band name suggests. I immediately purchased their album "I'm Like A Virgin Losing A Child" and I've literally had this on repeat for months. This album is not classical at all - it's one of the most well written pieces of indie rock art I've had grace my ears all year!
Manchester Orchestra has had a busy year. After being listed as one of Rolling Stone's top 10 bands to watch - they accompanied Brand New, Piebald, Colour Revolt, and Kings of Leon on nationwide tours and they also joined the stages at Bonnaroo and SXSW! They traveled to the UK for both the Reading and the Leeds festivals ... AND they even made an appearance on David Letterman! Their live show has often been compared to that of My Morning Jacket, but - in my opinion - it's much better. Andy Hull is captivating during his performance. He was born for the stage and it's obvious the deeper you get into a Manchester Orchestra set. The pure emotion Andy brings to his songs is reason enough to see this band live. In fact, I really don't remember anyone else in the band sticking out during the whole show (except for keyboardist Chris Freeman because at one point I thought he was having a seizure onstage - but realized that's just the way he plays). I really love when a crowd respects an artist or band enough to be completely still during slower songs. At times, the crowd actually sang Andy's words louder than himself ... but, when it came down to the slower intimate songs, you could hear a pin drop as the audience was so quiet and so focused on Andy's intensity. Manchester Orchestra really isn't anything different or new sounding .. but, I think they bring such a unique passion to their music and that alone gets addicting. At times the lyrics seem a little religious but despite this - MO insists they are not a christian band.
Manchester Orchestra formed in 2005 in Atlanta, GA. Drummer, Jeremiah Edmond is actually a studio engineer and has worked on some amazing projects (Bubba Sparxxx to name one). Jeremiah is also one of the founding members of Favorite Gentlemen Recordings - which happens to be the label that MO graces. Andy Hull has also found time to pursue a side project which he calls 'Right Away, Great Captain!' The first album under this pseudonym is an acoustic album which incorporates a storyline about a sailor that leaves his family and Andy wrote it with the direction to be the "saddest record possible". Not many are familiar with this hushed album as Andy doesn't want to take away attention from Manchester Orchestra. He's so humble he even wears his own merch onstage and orders the audience "if you're going to buy one of our shirts - please, don't do that ... purchase albums for the bands we are touring with instead because it's such great music".
I encourage you to take time to give Manchester Orchestra a listen and take a peek at some lyrics. My personal favorite songs are 'Now That You're Home', 'Where Have You Been', and 'I Can Barely Breathe'. During the live performance of 'Where Have You Been', The Annuals ran back onstage with individual drums and jammed along in a drumline-like fashion. It was totally incredible and engulfing. This is honestly one of my favorite live shows of the year and one of my favorite albums. I promise it will not disappoint!
Lastly, the Annuals (from Raleigh, NC) opened for Manchester Orchestra! I was a little distracted at first by the lead guitar player, Kenny Florence - as he bears a crazy resemblance to American Idol singer Sanjaya. Perhaps it was the low lighting or his long hair, but Kenny really did sorta look like Sanjaya. Anyways, Kenny is one of the best guitar players I have ever seen - and, that alone is enough to check out a live Annuals show! Ladies, lead singer, Adam Baker, is quite the eye candy catch at times as well!
*by Jen Panczenko, who is super pumped the Packers won today!
Wednesday, November 07, 2007
This is not a straight-edge preaching post.
It is, however, one begging you to consider who else you're hurting when you abuse yourself.
I am tired of not being able to sleep. I am tired of seeing people cry. I am tired of wearing black. I am tired of carrying around copious amounts of Kleenex. I am tired of buying sympathy cards and sending fruit baskets for something so flagrantly avoidable.
I am tired of my friends dying of drug overdoses.
Yes, it can happen to you. And when it does, it also happens to everyone who loves you. Think about your parents, your grandparents, your boyfriend, your girlfriend, your husband, your wife, your friends, your children, your colleagues, and how much they're going to suffer because you wanted to have a little more energy to party the night before.
And to those of you who are too scared to call an ambulance when you're witnessing your friends having seizures and OD'ing? Get over it. You can get a slap on the wrist, or you can live the rest of your life knowing you watched someone die. It shouldn't be a difficult decision to make.
With that, I will step off of my soapbox and pray someone sees this and declines a line tonight.
*By Jess, who, on a lighter note, is obsessed with Jay-Z's American Gangster album.
I am tired of not being able to sleep. I am tired of seeing people cry. I am tired of wearing black. I am tired of carrying around copious amounts of Kleenex. I am tired of buying sympathy cards and sending fruit baskets for something so flagrantly avoidable.
I am tired of my friends dying of drug overdoses.
Yes, it can happen to you. And when it does, it also happens to everyone who loves you. Think about your parents, your grandparents, your boyfriend, your girlfriend, your husband, your wife, your friends, your children, your colleagues, and how much they're going to suffer because you wanted to have a little more energy to party the night before.
And to those of you who are too scared to call an ambulance when you're witnessing your friends having seizures and OD'ing? Get over it. You can get a slap on the wrist, or you can live the rest of your life knowing you watched someone die. It shouldn't be a difficult decision to make.
With that, I will step off of my soapbox and pray someone sees this and declines a line tonight.
*By Jess, who, on a lighter note, is obsessed with Jay-Z's American Gangster album.
Thursday, November 01, 2007
Save the orangutans because they are awesome.
Joelle and I have huge soft spots for animals, and let's face it, I don't have them for much else. I urge you to help the orangutans, because they are awesome, and because they're related to us. Actually, maybe not. I'm trying to figure out if the men I've dated are proof of the missing link or if they completely disprove natural selection. In any case, please copy and paste this (or use the one on the site--I tweaked mine a bit, obviously) and use it to harass your representatives. The site automatically inputs it for you once your address is entered, and they won't harass YOU in return. Sweet deal, right?
As a fan of fellow primates as well as an awesome human being, I strongly urge you to co-sponsor the Wyden-Alexander Amendment to the Federal Farm Bill.
This amendment would make it a crime in America to knowingly import, sell, buy or transport illegally-sourced wood and wood products. Would you sell a stolen car? No, because it's illegal. Same idea, right? In addition:
Illegal logging triggers a chain of events that results in further deforestation, large fires and carbon emissions. This reckless and unregulated logging often occurs in national parks and indigenous reserves, destroying large areas of intact habitat many critically endangered species need to survive. For example...
* Indonesia is undergoing some of the most rapid deforestation in the world, up to 88% of which is illegal. A recent U.N. report declared a state of emergency for the orangutan, predicting the species could go extinct within the next 20 years. Illegal logging has recently taken place in 37 of Indonesia's 41 national parks, some of the last strongholds of the endangered orangutan. These numbers? Not awesome.
* The Amazon Basin, home to a rich biodiversity which includes jaguars, ocelots and macaws, is under severe threat due to the illegal logging of mahogany. An estimated 80% of exported Peruvian mahogany is illegally sourced. This constitutes a grave threat for indigenous people, who often fall victim to novel diseases and violent confrontations with illegal loggers. ILLEGAL loggers: Not awesome.
* In the Congo Basin, the illegal timber trade is associated with the illegal trade in wild-caught meat, or bushmeat, including gorillas, chimpanzees and other protected species. In addition to the risk of extinction for wildlife, the bushmeat trade poses a serious disease risk to the local human population, as documented by recent outbreaks of the Ebola virus and other zoonotic diseases associated with the handling and consumption of bushmeat, which are not awesome.
* In the Russian Far East, approximately 50% of timber harvested is sourced illegally. This contributes to lasting corruption within state forest management and the timber industry in addition to endangering local wildlife. Illegal logging in the Russian Far East has been linked to the future risk of extinction for the Amur leopard and the Siberian tiger, and those risks are not awesome.
The insatiable demand for cheap wood products and luxury hardwoods in the United States, Europe and Japan is driving illegal logging operations worldwide. Yet America has no law against importing illegally harvested wood into the U.S. That is not awesome!
The Wyden-Alexander Amendment to the Federal Farm Bill will give enforcement agencies a powerful tool in the fight against illegal timber traffickers and increase the risks associated with illegal timber trade without creating more obstacles for legal trade, thus leveling the playing field for businesses that already do things the right way. Score one for fair capitalism!
The diverse groups and people supporting this amendment include major industry representatives, labor and human rights proponents, environmental organizations, and Jessica Sager, who I hear is awesome.
It's time to let criminal timber barons know that America won't subsidize their destruction of vital wildlife habitat. I strongly urge you to support inclusion of the Wyden-Alexander Amendment in the Federal Farm Bill and take this vital step to protect habitat for the world's disappearing wildlife.
Thank you for considering my views on this issue, because they are awesome.
Truly,
Jessica Sager
As a fan of fellow primates as well as an awesome human being, I strongly urge you to co-sponsor the Wyden-Alexander Amendment to the Federal Farm Bill.
This amendment would make it a crime in America to knowingly import, sell, buy or transport illegally-sourced wood and wood products. Would you sell a stolen car? No, because it's illegal. Same idea, right? In addition:
Illegal logging triggers a chain of events that results in further deforestation, large fires and carbon emissions. This reckless and unregulated logging often occurs in national parks and indigenous reserves, destroying large areas of intact habitat many critically endangered species need to survive. For example...
* Indonesia is undergoing some of the most rapid deforestation in the world, up to 88% of which is illegal. A recent U.N. report declared a state of emergency for the orangutan, predicting the species could go extinct within the next 20 years. Illegal logging has recently taken place in 37 of Indonesia's 41 national parks, some of the last strongholds of the endangered orangutan. These numbers? Not awesome.
* The Amazon Basin, home to a rich biodiversity which includes jaguars, ocelots and macaws, is under severe threat due to the illegal logging of mahogany. An estimated 80% of exported Peruvian mahogany is illegally sourced. This constitutes a grave threat for indigenous people, who often fall victim to novel diseases and violent confrontations with illegal loggers. ILLEGAL loggers: Not awesome.
* In the Congo Basin, the illegal timber trade is associated with the illegal trade in wild-caught meat, or bushmeat, including gorillas, chimpanzees and other protected species. In addition to the risk of extinction for wildlife, the bushmeat trade poses a serious disease risk to the local human population, as documented by recent outbreaks of the Ebola virus and other zoonotic diseases associated with the handling and consumption of bushmeat, which are not awesome.
* In the Russian Far East, approximately 50% of timber harvested is sourced illegally. This contributes to lasting corruption within state forest management and the timber industry in addition to endangering local wildlife. Illegal logging in the Russian Far East has been linked to the future risk of extinction for the Amur leopard and the Siberian tiger, and those risks are not awesome.
The insatiable demand for cheap wood products and luxury hardwoods in the United States, Europe and Japan is driving illegal logging operations worldwide. Yet America has no law against importing illegally harvested wood into the U.S. That is not awesome!
The Wyden-Alexander Amendment to the Federal Farm Bill will give enforcement agencies a powerful tool in the fight against illegal timber traffickers and increase the risks associated with illegal timber trade without creating more obstacles for legal trade, thus leveling the playing field for businesses that already do things the right way. Score one for fair capitalism!
The diverse groups and people supporting this amendment include major industry representatives, labor and human rights proponents, environmental organizations, and Jessica Sager, who I hear is awesome.
It's time to let criminal timber barons know that America won't subsidize their destruction of vital wildlife habitat. I strongly urge you to support inclusion of the Wyden-Alexander Amendment in the Federal Farm Bill and take this vital step to protect habitat for the world's disappearing wildlife.
Thank you for considering my views on this issue, because they are awesome.
Truly,
Jessica Sager
It's a Bitch, Brit
The new Britney Spears is so bad! Poor girl. My whole office is listening to an illegal stream of the album now (ironic as we are a music company) and are just cringing! However, we just put on Spice Girls "Now Return," (unofficial release due 12/07) that got leaked and the first song is cool. Deff. add it to your guilty pleasure list. The rest of the songs are just Xmas, live, not that good, etc. But let's hear it for the long awaited comeback of cheesy pop anyway! I'll tell you my Backstreet Boys verdict soon.
*Joelle, who loves the movie Spiceworld
*Joelle, who loves the movie Spiceworld
Monday, October 29, 2007
Independent Music Awards Finalists Announced!
Val Emmich nominated for an Independent Music Award!
"The Only One Lonely," MUSIC VIDEO by Val Emmich has been nominated for an Independent Music Award!
Your vote counts! Go to
http://www.musiciansatlas.com/pages/IMAFinalist/
and vote in the 7th Annual IMA Jukebox Vox Populi
and while you're there vote for Scott & Aimee in the PUNK category!
"The Only One Lonely," MUSIC VIDEO by Val Emmich has been nominated for an Independent Music Award!
Your vote counts! Go to
http://www.musiciansatlas.com/pages/IMAFinalist/
and vote in the 7th Annual IMA Jukebox Vox Populi
and while you're there vote for Scott & Aimee in the PUNK category!
Friday, October 26, 2007
Mailbag "Reviews"
This is where I actually tell you my thoughts on music that is sent to us before I give it away or throw it in the garbage.
- The Autumn Offering, Fear Will Cast No Shadow: First thoughts? It's not so bad. I actually let it play through several songs and I think I'll put it on again. Why? Because it sounds like Bullet For My Valentine. But then again, why not just listen to Bullet For My Valentine?
Arist and Ruin,The Final Dawn: This lasted all of 5 seconds and I didn't even switch to another track. There is no need for another bad screaming band in my world, sorry. What's up with all the new Victory releases having such dark covers?
So They Say, Life in Surveillance: Well, the first few tracks skipped and wouldn't play. So I put on track 5 and it's OK. Sounds like everyone else with a twist of Maynard. And one of the dudes in the band looks like Dave Grohl. I'll give this one away.
Between the Buried and Me, Colors: I didn't even read the band name on the cover, but I had high hopes from the band as soon as I flipped open the case. The picture of the vocalist singing is awesome. Very Lostprophetish inside. I'm on track one now and thank God some madness came in because the first few moments of the song were beging to bore me! I'm really into the musicianship here and I'm only on track 2.Yay for me giving a positive review to a Victory band. It's been a while. Ok on to someone else, as I'll deff be back to this album.
She Wants Revenge, This Is Forever: I totally only took interest in this band because Michael Patterson produced it and he's a judge for The Independent Music Awards this year. I love it! Very goth. I think my fiance will even listen to this one. My only complaint is that there's not that much of a change-up between songs. Very static, but it's "easy" listening. Check these guys out for sure.
Edition, Demos: Speaking of the Independent Music Awards, there was one band I loved, loved, loved while checking out the submissions and it was these guys and not just because they're British and have a Clockwork Orange vibe. They hooks are so addictive and I had "Liberated" in my head for days. They've got style, they've got class, and they'll have you shakin' your ass. I wish they had more than three songs recorded. www.myspace.com/editiontheband
Blowsight, Destination Terrorville: I friggin' love these guys and gal! This is one of the ONLY bands I've seen live BEFORE being a fan. What's the chance I'd see these Sweedish metalers playing at Maxwells in Hoboken? I hope they'll be back soon because I miss them! I'm very picky about what heavy music I like and I'd deff. recommend this band to all those who salute headbanging. (Wait, I already do that!) The vocals are intoxicating and the music has a real melodic comfort. Maybe even more than I expected. And don't be fooled by appearances, they are some of the nicest people I've ever met and even do a great cover of Ms. Brittany Spears. www.myspace.com/blowsight
Moros Eros, Jealous Me Was Killed By Curiosity: Who are these guys? I never heard of them and it appears they are on Victory. Hmm, I think Jess or Jen will like this band better than me. But I do like the German Shepard on the inside of the album cover. Props, guys. Props. Ok track 2 may get you dancin'! Now I'm taking it off. They sound too much like someone else I don't know because I don't like and shut it o-f-f.
Shane Neville: Um, this is some weird tribal shit right here. The bio says that he is a sound engineer. Well, I'd deff say he has his act together and if you like spacey instrumental, extremely artistic music, go for the gold and get your hands on this.
Ok so what did we all learn from this? Pop quiz next time
Love,
Joelle, who is anxiously awaiting the next episode of Salt 'N Peppa's reality show 'cause they were her fav. in 7th grade (and also sad because today is the birthday of her Golden Retriever, Dusty, who died 4 years ago).
- The Autumn Offering, Fear Will Cast No Shadow: First thoughts? It's not so bad. I actually let it play through several songs and I think I'll put it on again. Why? Because it sounds like Bullet For My Valentine. But then again, why not just listen to Bullet For My Valentine?
Arist and Ruin,The Final Dawn: This lasted all of 5 seconds and I didn't even switch to another track. There is no need for another bad screaming band in my world, sorry. What's up with all the new Victory releases having such dark covers?
So They Say, Life in Surveillance: Well, the first few tracks skipped and wouldn't play. So I put on track 5 and it's OK. Sounds like everyone else with a twist of Maynard. And one of the dudes in the band looks like Dave Grohl. I'll give this one away.
Between the Buried and Me, Colors: I didn't even read the band name on the cover, but I had high hopes from the band as soon as I flipped open the case. The picture of the vocalist singing is awesome. Very Lostprophetish inside. I'm on track one now and thank God some madness came in because the first few moments of the song were beging to bore me! I'm really into the musicianship here and I'm only on track 2.Yay for me giving a positive review to a Victory band. It's been a while. Ok on to someone else, as I'll deff be back to this album.
She Wants Revenge, This Is Forever: I totally only took interest in this band because Michael Patterson produced it and he's a judge for The Independent Music Awards this year. I love it! Very goth. I think my fiance will even listen to this one. My only complaint is that there's not that much of a change-up between songs. Very static, but it's "easy" listening. Check these guys out for sure.
Edition, Demos: Speaking of the Independent Music Awards, there was one band I loved, loved, loved while checking out the submissions and it was these guys and not just because they're British and have a Clockwork Orange vibe. They hooks are so addictive and I had "Liberated" in my head for days. They've got style, they've got class, and they'll have you shakin' your ass. I wish they had more than three songs recorded. www.myspace.com/editiontheband
Blowsight, Destination Terrorville: I friggin' love these guys and gal! This is one of the ONLY bands I've seen live BEFORE being a fan. What's the chance I'd see these Sweedish metalers playing at Maxwells in Hoboken? I hope they'll be back soon because I miss them! I'm very picky about what heavy music I like and I'd deff. recommend this band to all those who salute headbanging. (Wait, I already do that!) The vocals are intoxicating and the music has a real melodic comfort. Maybe even more than I expected. And don't be fooled by appearances, they are some of the nicest people I've ever met and even do a great cover of Ms. Brittany Spears. www.myspace.com/blowsight
Moros Eros, Jealous Me Was Killed By Curiosity: Who are these guys? I never heard of them and it appears they are on Victory. Hmm, I think Jess or Jen will like this band better than me. But I do like the German Shepard on the inside of the album cover. Props, guys. Props. Ok track 2 may get you dancin'! Now I'm taking it off. They sound too much like someone else I don't know because I don't like and shut it o-f-f.
Shane Neville: Um, this is some weird tribal shit right here. The bio says that he is a sound engineer. Well, I'd deff say he has his act together and if you like spacey instrumental, extremely artistic music, go for the gold and get your hands on this.
Ok so what did we all learn from this? Pop quiz next time
Love,
Joelle, who is anxiously awaiting the next episode of Salt 'N Peppa's reality show 'cause they were her fav. in 7th grade (and also sad because today is the birthday of her Golden Retriever, Dusty, who died 4 years ago).
Thursday, October 25, 2007
Underoath Tonight!
Tonight the oh-so-cool Underoath will be rockin' the Starland Ballroom! The guys are playing with Poison the Well, Everytime I Die, and Maylene and the Sons of Disaster. I have heard that Underoath is actually amazing live...tonight will be the first time I am seeing them, so I'm pretty stoked! If you missed them at Warped Tour this is a great opportunity to see them without the worry of getting sun burn.
I you were debating whether or not to go tonight...GO! I'll be there! Come out watch a great show and say hi to me!
Starland Ballroom, Sayerville, NJ
Doors open at around 7
* By Amanda who is getting her camera ready!
I you were debating whether or not to go tonight...GO! I'll be there! Come out watch a great show and say hi to me!
Starland Ballroom, Sayerville, NJ
Doors open at around 7
* By Amanda who is getting her camera ready!
Tuesday, October 23, 2007
Organization can be fun
After running late for work one morning last week because I couldn't find the shirt I wanted to wear, I decided it was time once again to organize my closet.
Over the past few months, I've been slowly preparing myself for moving day(once my wedding finally comes). I've thrown out 3 Hefty bags of CDs (I know, I know...), given bags of clothes I never wear to the Salvation Army (and buying new ones!), etc. And now I have a more grown up closet! Things are actually organized into sections: jeans, jackets/hoodies, shirts, skirts, dresses.... And only one article of clothing per hanger! Big step for me.
And let me tell you, it makes getting dressed and picking outfits even more fun because you can actually see all your choices and not just work off your memory and then dig. It's great! I highly reccomend it. Now I just have to make the move and get rid of all my metal hangers!
This organization usually lasts a few months and then I have to go back and do it all over again. But I think I'm gonna try extra hard to make it last this time. Now I still need to find the cute little Heatherette dress I got on sale at Loehman's for $12!!! Ahhh....
Ok, General Hospital is on now. Damn, Johnny Zacarda is so hot. Who else is watching with me, ladies?
* Joelle, who grew up on soaps and named her dog after a GH character.
Over the past few months, I've been slowly preparing myself for moving day(once my wedding finally comes). I've thrown out 3 Hefty bags of CDs (I know, I know...), given bags of clothes I never wear to the Salvation Army (and buying new ones!), etc. And now I have a more grown up closet! Things are actually organized into sections: jeans, jackets/hoodies, shirts, skirts, dresses.... And only one article of clothing per hanger! Big step for me.
And let me tell you, it makes getting dressed and picking outfits even more fun because you can actually see all your choices and not just work off your memory and then dig. It's great! I highly reccomend it. Now I just have to make the move and get rid of all my metal hangers!
This organization usually lasts a few months and then I have to go back and do it all over again. But I think I'm gonna try extra hard to make it last this time. Now I still need to find the cute little Heatherette dress I got on sale at Loehman's for $12!!! Ahhh....
Ok, General Hospital is on now. Damn, Johnny Zacarda is so hot. Who else is watching with me, ladies?
* Joelle, who grew up on soaps and named her dog after a GH character.
The Scariest Kids of All....
“We’ve been waiting for this one day all our lives, this is nothing short of predictable…stop holding your head down…” -sksk
On the oh-so-gorgeous August 28th 2007 Philadelphia’s The Fillmore (at Theatre of Living Arts) was taken by storm as Scary Kids Scaring Kids released their sophomore album. This time around the guys took Boys Night Out, Pierce the Veil, and Damiera on tour with them. The show was very well attended by loving fans stoked out of their minds to get their hands on the new CD. Before the show even started people were pouring in and flocking to the merch table to snag a copy of the self entitled album. You could feel the excitement emanating from everyone, with SKSK you can expect great things, the only question is how great will it be?
Both Damiera and Pierce the Veil were shocking talents, I had never seen them before this show and was taken happily by surprise when both bands hit the stage. Damiera (Equal Vision Records) had an established refined rock style that no one could turn away from. Pierce the Veil bellowed throughout the theater with a hard punching more screamo sound that was produced by a unique vocal that caught the ear of just about everyone, they are undeniably talented. Boys Night Out is also a band that I was formerly not extraordinarily familiar with, however, I am now, and I’m a big fan. They hold back nothing, every moment they are up on stage they are making the most of it, interacting with the crowd, jumping around, etc, etc. Their electrifying sound prompted me to buy their album. All the supporting acts at this show are bands that I would go see again in an instant.
“This is our fight for freedom, this is our way of saying…THIS IS OUR DAY…” -sksk
Scary Kids, Scaring Kids. What more can I say…really? They have out done themselves ten times over with this new album. For me, I found this album to be monumental. The obvious maturing and dedication and time and love that went into this album pours out every second that its playing. Their live performance is second to none. They exude energy and pride for their work and appreciation for success in their craft.
At first listen I was hard pressed to find words for those who have yet to listen to it…How can you describe the indescribable? After I listened to it again I was again, left in awe. Their opening “Prelude” leads gently into “Degenerates” which is filled with empowering lyrics with an ultra catchy chorus that left me believing that this may be the new underground alternative rock anthem. Their released single “Faces” is a fun song that basically summarizes the journey of this album, they are finally exposing who and what they are, take it or leave it. There is a song towards the tail end of the ride entitled “Goes Without Saying” which is a complete rhythmic departure from the other sounds and dynamics that reside on this album, but it fits, and it is incredibly well written and very catchy. Another song, called “Free Again” is also really catchy and is empowered by various melodic entities and messages. I like it! I really can not talk about EVERY song on the album…I don't want to spoil it!
This album has rougher rock sounds and then what I believe are more of ballads, the guys have put together a well rounded grade A album that everyone should give a listen to. They have taken their completely organic talent and their deeply rooted passion for their music to an all new playing field, and they are adapting to the new field well. Mixing together hard hitting raw sound and organic emotionally thrashing lyrics, and what’s the product? You get an insanely well produced, bombastic, in your face dose of what REAL alternative rock is supposed to sound like.
As amazing as their album is, their live show on the day of their album release...I can not find words. Scary Kids Scaring Kids is a punk rock alt band that I feel strongly everyone should see before they call it a day.
*By Amanda who is listening to SKSK right NOW.
Sunday, October 21, 2007
Leathermouth - the light at the end of CMJ
The last night of this year's CMJ festival in NYC was my first night taking in some shows, and let me tell you things didn't get off to a good start.
On our way to the Knitting Factory to see Leathermouth (the hardcoreside project that propells My Chemical Romance power guitarist, Frank Iero, to frontman), we got caught in two hours of traffic, thanks to Jon Bon Jovi (my high school obsession) and Leanne Rhymes filming in the streets.
Things got even more nerve racking once we actually made it to the Knitting Factory and were told by the burly women working the door (with the signature ghetto-style pulled back pony tail glued to her scalp, I might add), informed us that the venue was at capacity and no one else-- not even those like us holding CMJ badges- could enter. Except, everyone who was a ticketholder or on a guest list entered with ease, as the industry who paid $500 a pop for badges has to wait like sardines behind a velvet rope. Doesn't get more posh than that.
So we took matters into our own hands and got in thanks to Josh from Purevolume (catch that shout out?), who came out and pretended he just added us all to the guest list. Take that, bitch.
Now, the upstairs stage was filled to capacity with folk awaiting Saves the Day, The New Amsterdams (pretty b-or-i-n-g if you ask me), The Color Fred and the like. But the real new music spectacle was taking place downstairs in the Tap Bar. We totally missed Paper Rival, which bummed Jen out, but got there just in time for Leathermouth.
One great thing about CMJ is that we can enjoy the "scenster" music without having to be bothered by all the kids trying to be different but who really look exactly the same. Only a limited number of tickets were sold to the public and everyone else was either a fellow musician or industry member.
I doubt anyone even knew that Iero fronts Leathermouth, because a lot more people would have been there. I'm not complaining though, cause it was a once in a lifetime sorta intimate show (and the band's second ever).
Well, intimate but far from tame. See evidence below. And that's all you'll see cause we didn't want to fight through the Skeleton Crew fans upfront and risk damage to our cameras!
Iero was impressed that fans were screaming along to songs including "Body Snatchers Forever" and noted how "that creepy MySpace shit actually works." But he did offer them some guidance, saying "Don't forget to leave your house and actually live your life." Words of wisdom, indeed.
My Chem fans may not all cross over to this style of music, as Leathermouth is not for the faint at heart. (That means all you Z100 converted fans who are probably not even cool enough to read our little blog, so why am I even typing this?). However, everyone will be more enriched getting insight into Iero's lyrics. Songs about killing the president and sunset meetings with shrinks are what you can expect once the album is released.
The too-short set wraped up with "Murder Was the Case That They Gave Me." It was great to see Iero back on the mic. Even during MCR shows, Iero oftern steals the spotlight, so it's great that he's going to be actually getting the recognition for it now. Be sure to check out www.myspace.com/leathermouthlives for handwritten lyrics, and if you're ultra cool and have a print edition of Planet Verge's feature interview with Skeleton Crew go reminise.
*Joelle, who once again appologises for accidently wacking Frank in the face with a giant lollipop.
What I learned after seeing Shiny Toy Guns
I've been following Shiny Toy Guns ever since they started buzzing around LA, but I never saw them live until a few weeks ago at Starland Ballroom. Going into it, I knew I was either going to love it or hate it. I despise dancey music and honestly, on the CD, I find Cara Fey's vocals extremely annoying on most songs. But a lot of that I now see is done on purpose in the production of the CD. Her words are much easier to swallow live.
And while Cara may be portrayed in press photos, etc as the sexy leader of the band, it's obvious on stage that co-vocalist, Chad Petree, really has that role. Cara spends a lot of time dancing around, playing keyboards and looking pretty. Maybe the band would be nothing without her, but I don't miss it when her mouth is shut(hey I can still look at her tattoos).
As negative as this review sounds, I really enjoyed the show. Sure, I could've left right afert "Le Disco," which they for some reason played third into the set. But it was deff. worth sticking around 'till the end. They're a great band to watch and I'll deff. catch them again. I'm actually listening to the CD more now than I did before I saw them.
This is prob the second or third time Jen saw them and she loved them as always. Here are our clips from the show. Enjoy!
*Joelle, who suggests you listen to London's Sohodolls- www.myspace.com/sohodollsusa - if you like Shiny Toy Guns.
jessicapsule reviews
I have been inundated with CDs in the mail for the past few days, so before I get too behind, here are my humble opinions on each. Oh, who am I kidding? I'm not humble. In any case:
will.i.am, Songs About Girls: I am very wary of someone who cannot spell "tasty" correctly (there is no E anywhere in that word, and if you're that desperate to make a rhyme and rhythm work, you are probably in the wrong profession), but I will admit this album has some decent beats on it, notably the Jackson Five-sampling "Fantastic" and his Snoop Dogg collaboration "The Donque Song." However, his rhymes are still a little lacking and a bit repetitive. "And I'll never leave you never, 'cause forever is forever?" "You're a fly girl, fly girl, fly girl, fly girl, you should be my girl, my girl, my girl, my girl?" Redundant is redundant is redundant.
Enrique Iglesias, Insomniac: Holy crap, he has a "Ping Pong" song. No, seriously. The opening beats are from a ping-pong match. The song itself post-pong isn't bad, but the chorus could be catchier. "Push" features a pretty good beat, but also features a collaboration with Lil' Wayne that just sounds awkward. Enrique, you're a Latin lover and crooner. No matter how low you pull your hats, you will never be a G. This record could be aural gold, but he still will likely never be able to meet, let alone surpass, the pop treasure and insane popularity of 2001's Escape.
Jimmy Eat World, Chase This Light: If Futures and Bleed American have a really awesome baby, it would sound like this. Jimmy Eat World effectively shed the "emo" tag and return with a pure pop rock record that's easily one of the best to come out this year. Opening with the radio-ready lead single "Big Casino," the Mesa, Arizona natives will have you singing along to absolutely every "do do do" confection and heartfelt ballad on this album. Your ears will thank you.
Timbaland, Shock Value: Timbaland gave most of his good beats away to Justin Timberlake and that sell-out Nelly Furtado--remember when she sang about being like a bird? Yeah, me neither. "Apologize" with One Republic is pretty heart wrenching, but it's more because of the vocals than the production, and oddly, the most danceable track is "One and Only," featuring Fall Out Boy, who are the Jude Laws of music--they're in everything this year.
Hot Hot Heat, Happiness Ltd.: Someone must have dumped Steve Bays bad, but ladies, if it keeps inspiring him to write songs this good, please continue to break his heart. The curly-haired Canuck and colleagues worked with Planet Verge favorite Butch Walker on this eleven-track ode to love lost that will have you dancing and pouting at the same time--though maybe it's just me, because my lips are so big I always look sad anyway. "Give Up?", "My Best Fiend," and "So So Cold" are my favorites so far, but I really like everything on here.
American Bang, Move to the Music EP: This album, especially the title track (yes, the one from the Verizon commercial), makes me look forward to my 21st birthday so I can listen to this in a seedy bar and do just that on top of it.
*By Jess, who should be doing a million other things than dancing around her room to these today
will.i.am, Songs About Girls: I am very wary of someone who cannot spell "tasty" correctly (there is no E anywhere in that word, and if you're that desperate to make a rhyme and rhythm work, you are probably in the wrong profession), but I will admit this album has some decent beats on it, notably the Jackson Five-sampling "Fantastic" and his Snoop Dogg collaboration "The Donque Song." However, his rhymes are still a little lacking and a bit repetitive. "And I'll never leave you never, 'cause forever is forever?" "You're a fly girl, fly girl, fly girl, fly girl, you should be my girl, my girl, my girl, my girl?" Redundant is redundant is redundant.
Enrique Iglesias, Insomniac: Holy crap, he has a "Ping Pong" song. No, seriously. The opening beats are from a ping-pong match. The song itself post-pong isn't bad, but the chorus could be catchier. "Push" features a pretty good beat, but also features a collaboration with Lil' Wayne that just sounds awkward. Enrique, you're a Latin lover and crooner. No matter how low you pull your hats, you will never be a G. This record could be aural gold, but he still will likely never be able to meet, let alone surpass, the pop treasure and insane popularity of 2001's Escape.
Jimmy Eat World, Chase This Light: If Futures and Bleed American have a really awesome baby, it would sound like this. Jimmy Eat World effectively shed the "emo" tag and return with a pure pop rock record that's easily one of the best to come out this year. Opening with the radio-ready lead single "Big Casino," the Mesa, Arizona natives will have you singing along to absolutely every "do do do" confection and heartfelt ballad on this album. Your ears will thank you.
Timbaland, Shock Value: Timbaland gave most of his good beats away to Justin Timberlake and that sell-out Nelly Furtado--remember when she sang about being like a bird? Yeah, me neither. "Apologize" with One Republic is pretty heart wrenching, but it's more because of the vocals than the production, and oddly, the most danceable track is "One and Only," featuring Fall Out Boy, who are the Jude Laws of music--they're in everything this year.
Hot Hot Heat, Happiness Ltd.: Someone must have dumped Steve Bays bad, but ladies, if it keeps inspiring him to write songs this good, please continue to break his heart. The curly-haired Canuck and colleagues worked with Planet Verge favorite Butch Walker on this eleven-track ode to love lost that will have you dancing and pouting at the same time--though maybe it's just me, because my lips are so big I always look sad anyway. "Give Up?", "My Best Fiend," and "So So Cold" are my favorites so far, but I really like everything on here.
American Bang, Move to the Music EP: This album, especially the title track (yes, the one from the Verizon commercial), makes me look forward to my 21st birthday so I can listen to this in a seedy bar and do just that on top of it.
*By Jess, who should be doing a million other things than dancing around her room to these today
Thursday, October 18, 2007
Christina's Venting Blog #1: The Cliche of Nashville.
Nashville is full of them. You can feel it in the air, hear it in their voices, see it in the faces of the strangers passing by in Hillsboro Village. They're EVERYWHERE! What are they?...the oh-so-cliche male singer/songwriters.
They seem to start in college. Their stories are all the same: "I liked a girl in college (or couldn't get a girl in college), and so I decided to pick up a guitar and try writing/singing...it was all to get girls." Now, my question is, what happened to pure passion for music and art?
Don't get me wrong, not every male singer/songwriter here in Nashville lacks passion and creativity. This IS music city, and there are plenty of incredible artists here. But for now let me vent on those that drive me insane...and not the good kind of insane.
If you enjoy cliche, unoriginal, pop music that has gotten far too much hype in Nashville then I suggest you check out these singer/songwriters:
Matt Wertz - www.myspace.com/mattwertz
Andy Davis - www.myspace.com/andydavis
Rob Blackledge - www.myspace.com/robblackledge
Justin Kyle Hasty - www.myspace.com/justinkylehasty
Given all the awful descriptions I just gave to these artists, I will admit that 3 out of 4 of them I have or still do listen to and enjoy the tunes...despite me cringing at the thought of how they've merely re-written John Mayer.
Some not-so-cliche singer/songwriters that I enjoy in town include:
Josh Johnson - www.myspace.com/joshjohnsonmusic (song to listen to: "Try")
Dave Barnes - www.myspace.com/davebarnes (song to listen to: "Stay Away")
Chad Harris - www.myspace.com/chadharrismusic (song to listen to: "Ghosts of You" "Could You Please")
Tofer Brown - www.myspace.com/toferbrown (song to listen to: "Candy Hearts")
Ah! I feel better now that I've finally been able to vent. I also included some good with the bad...I'm not an awful person, I'm still a nice girl :)
~Christina V.~
Wednesday, October 17, 2007
Happy Edge Day!
I've been straight-edge all 26 years of my life and have never heard of National Edge Day, but apparently it's today:
National Edge Day is an unofficial holiday recognized by members of the straight edge subculture on October 17. The first annual National Edge Day was celebrated on October 17, 1999 at the final Ten Yard Fight concert at the nightclub Karma in Boston, Massachusetts. The concert also featured the bands Bane, In My Eyes, Fastbreak, Reach The Sky and Floorpunch. This show marked the end of the 1990s youth crew revival. The early 2000s brought a new wave of hardcore bands, with a reduced emphasis on straight edge.
The holiday was publicly recognized for the second time when In My Eyes played their final concert in Haverhill, Massachusetts on October 15, 2000. On that day, Bridge 9 Records released a VHS cassette telling the story of Ten Yard Fight, with a major focus on their final concert. The bill for Edge Day 2k included Bane, Shark Attack, Killing Flame, Mouthpiece and Ten Yard Fight. As well porcell came out and sang the Project X anthem of Straight edge revenge
Since then, National Edge Day has been celebrated in certain cities, such as Boston.
In 2006, Edge Day was marked with the CD release show at the Cambridge Elks Lodge in Cambridge, MA by Righteous Jams and the last show ever of Think I Care. Other bands that played included Cold World, Colin Of Arabia, Justice, Rampage, Risky Business, and (first show ever) Step Forward.
*Joelle, who got a sXe tattoo on her forearm for her 25th birthday.
National Edge Day is an unofficial holiday recognized by members of the straight edge subculture on October 17. The first annual National Edge Day was celebrated on October 17, 1999 at the final Ten Yard Fight concert at the nightclub Karma in Boston, Massachusetts. The concert also featured the bands Bane, In My Eyes, Fastbreak, Reach The Sky and Floorpunch. This show marked the end of the 1990s youth crew revival. The early 2000s brought a new wave of hardcore bands, with a reduced emphasis on straight edge.
The holiday was publicly recognized for the second time when In My Eyes played their final concert in Haverhill, Massachusetts on October 15, 2000. On that day, Bridge 9 Records released a VHS cassette telling the story of Ten Yard Fight, with a major focus on their final concert. The bill for Edge Day 2k included Bane, Shark Attack, Killing Flame, Mouthpiece and Ten Yard Fight. As well porcell came out and sang the Project X anthem of Straight edge revenge
Since then, National Edge Day has been celebrated in certain cities, such as Boston.
In 2006, Edge Day was marked with the CD release show at the Cambridge Elks Lodge in Cambridge, MA by Righteous Jams and the last show ever of Think I Care. Other bands that played included Cold World, Colin Of Arabia, Justice, Rampage, Risky Business, and (first show ever) Step Forward.
*Joelle, who got a sXe tattoo on her forearm for her 25th birthday.
Thursday, October 11, 2007
Earlimart!!
We all have girl crushes, right?! I mean, there are the big A celebs like Jessica Alba that make me wonder if it's even legal to look that good ... but, MY girl crush - of course - plays music. Her name is Ariana Murray and she's the bass player / keyboard player for Earlimart!
I had the pleasure of seeing Earlimart at the 400 bar in Minneapolis last week and it was great! A simple indie rock sound mixed with Aaron Espinoza's soothing vocals and Ariana's adorable talent put a smile on my face all night long!
Named after a small town outside of LA, Earlimart got its start when frontman Aaron Espinoza moved from Fresno to a house in Silver Lake (LA) with four roommates - one being Ariana! At the time, Elliott Smith lived in their neighborhood and Aaron has been linked to music production for Elliott - as well as The Breeders. Well, Aaron and Ariana started a relationship and the four roommates eventually began the Earlimart music project. Of course, Ariana and Aaron called it quits and the band went their separate ways. Aaron then wrote the "Everyone Down Here" album and it's rumored that Ariana heard it and was so impressed that she set aside their rocky relationship history and rejoined the band! They have been making music ever since!!!
The setting for the Earlimart show was perfect! It was a cool fall night in the Midwest and the entire stage was covered with fall leaves! Strings of amber lights bundled up with the leaves surrounded all of the instruments and Aaron even had a few leaves attached to his guitar! With the stage lights dim - their amber strands set the intimate scene well. There were even cricket sounds that moved the set from song to song. I truly felt as if I were sitting in a backyard. Earlimart is so simple - yet there is something impressive about the way it all comes together.
At the end of the show, I got a chance to talk to Ariana. She's very magnetic! I'm never starstruck but she is so humble and adorable that it's hard not to stop and stare. After saying "you're awesome" a few times - I purchased their new album "Mentor Tormentor" and was on my way. It's really a great disc! Very fun and happy! I still think their single 'All They Ever Do Is Talk' is my all time favorite Earlimart song ... but, the piano on 'Happy Alone' is very pretty and Ariana's voice is angelic.
On a side note, the Chicago band Office opened for Earlimart. I enjoyed them very much. They have a rad chick drummer named Erica Corniel and their guitar player, Scott Masson, plays his instrument upside-down ... rather interesting. Scott also told a funny story about how he ran away from home when he was 14 and drove a car to Minnesota. Haha! Check out their songs 'The Ritz' or 'Oh My' ... it will get your foot tapping.
*by Jen Panczenko, who is currently eating apple pie!
I had the pleasure of seeing Earlimart at the 400 bar in Minneapolis last week and it was great! A simple indie rock sound mixed with Aaron Espinoza's soothing vocals and Ariana's adorable talent put a smile on my face all night long!
Named after a small town outside of LA, Earlimart got its start when frontman Aaron Espinoza moved from Fresno to a house in Silver Lake (LA) with four roommates - one being Ariana! At the time, Elliott Smith lived in their neighborhood and Aaron has been linked to music production for Elliott - as well as The Breeders. Well, Aaron and Ariana started a relationship and the four roommates eventually began the Earlimart music project. Of course, Ariana and Aaron called it quits and the band went their separate ways. Aaron then wrote the "Everyone Down Here" album and it's rumored that Ariana heard it and was so impressed that she set aside their rocky relationship history and rejoined the band! They have been making music ever since!!!
The setting for the Earlimart show was perfect! It was a cool fall night in the Midwest and the entire stage was covered with fall leaves! Strings of amber lights bundled up with the leaves surrounded all of the instruments and Aaron even had a few leaves attached to his guitar! With the stage lights dim - their amber strands set the intimate scene well. There were even cricket sounds that moved the set from song to song. I truly felt as if I were sitting in a backyard. Earlimart is so simple - yet there is something impressive about the way it all comes together.
At the end of the show, I got a chance to talk to Ariana. She's very magnetic! I'm never starstruck but she is so humble and adorable that it's hard not to stop and stare. After saying "you're awesome" a few times - I purchased their new album "Mentor Tormentor" and was on my way. It's really a great disc! Very fun and happy! I still think their single 'All They Ever Do Is Talk' is my all time favorite Earlimart song ... but, the piano on 'Happy Alone' is very pretty and Ariana's voice is angelic.
On a side note, the Chicago band Office opened for Earlimart. I enjoyed them very much. They have a rad chick drummer named Erica Corniel and their guitar player, Scott Masson, plays his instrument upside-down ... rather interesting. Scott also told a funny story about how he ran away from home when he was 14 and drove a car to Minnesota. Haha! Check out their songs 'The Ritz' or 'Oh My' ... it will get your foot tapping.
*by Jen Panczenko, who is currently eating apple pie!
The New Radiohead
So for the past two days my co-workers have been playing the new Radiohead. I think it's really boring. Really boring. Sure, I respect it and I think it's super cool how they are selling it. But I also know two of my co-works didn't pay anything for it (though one says he'd be first in line for ticket sales). So I'm not sure how well this strategy would work for an indie band-- actually I do, they'd make no money. Anyway, rave all you want about the new Radiohead. I was never a big fan and this album certainly didn't convert me. I wouldn't even download it for free.
*Joelle
*Joelle
Wednesday, October 10, 2007
Tip Du Jour - Act Like You're Insane
Maybe my tip du jour should be the meaning of "du jour" which is "of the day." Clearly, I have an issue hitting these up every day. But, I try... somedays you'll get your tip, other days... re-read.
OK.
Ever walking down a shady street at night and you feel eerily alone and vulnerable? Or maybe you're not alone and sir creepster is checking you out, perhaps about to pounce?
Scary stuff.
What not to do: show fear. What's fear? Looking around wildly, stopping, looking over your shoulder too many times.
What to do: be aware of your surroundings, walk fast, but don't run. Show no fear.
Show no fear? Easiest way to do this - act like you're just a little bit crazy.
Sir creepster is much less likely to bother the fast-walking chica who is bobbing her head up and down happily while mouthing the words to her favorite boy band's latest single. Maybe she's even singing every other word out loud. Perhaps she's sticking her tongue out or making an odd face every four words.
Seems like she's a tad insane, huh? No one wants to crunch that cracker... and, you're safe!
OK.
Ever walking down a shady street at night and you feel eerily alone and vulnerable? Or maybe you're not alone and sir creepster is checking you out, perhaps about to pounce?
Scary stuff.
What not to do: show fear. What's fear? Looking around wildly, stopping, looking over your shoulder too many times.
What to do: be aware of your surroundings, walk fast, but don't run. Show no fear.
Show no fear? Easiest way to do this - act like you're just a little bit crazy.
Sir creepster is much less likely to bother the fast-walking chica who is bobbing her head up and down happily while mouthing the words to her favorite boy band's latest single. Maybe she's even singing every other word out loud. Perhaps she's sticking her tongue out or making an odd face every four words.
Seems like she's a tad insane, huh? No one wants to crunch that cracker... and, you're safe!
Tuesday, October 09, 2007
Must Hear Music
My co-workers and I have been getting pretty bored listening to Krock 2 streaming while in the office. I'll admit that it's better than KRock radio in NYC and while you'll never hear Green Day or The Offspring ten times a day, you will get a lot of indie repeats and there's only so much Coconut Records some people can take. So we've been surfing the Internet radio waves via www.web-radio.com and have been hanging ten in the UK.
Our fave. find so far? Virgin Radio. Yea, you can't escape the Maroon 5, but the Brit bands are refreshing and the DJs accents, oh so fine.
Here are some of my favorite discoveries:
The Hoosiers, "Goodbye Mr. A": www.myspace.com/thehoosiers
London lads with feel good indie Pop tunes that stick in your head like peanut butter to jelly. They're on RCA so maybe they'll be touring the US one day, if they haven't already.
Scouting for Girls, "She's So Lovely": www.myspace.com/scoutingforgirls An Epic signing from London. Hmm, I'm beginning to think the major labels oversees are way cooler than the A&R scouts in the US. I actually Googled the lyrics to this song to find out who sang it, that's how good it is. And they got signed on Valentines Day of last year. How cute is that?
The Kooks, "She Moves in Her Own Way": www.myspace.com/thekooks
Ok so I discovered this band before I heard it on Capitol Radio. I love the video. I love the accents. I love the song. They're on Virgin. There you have it. The major labels in the UK rock, the US A&R are too afraid of loosing their jobs to take risks and make radio a better place, and that's why I quit my A&R gig.
Go listen. Now.
Love,
Joelle, who has six minutes until General Hospital comes on! Yay.
Our fave. find so far? Virgin Radio. Yea, you can't escape the Maroon 5, but the Brit bands are refreshing and the DJs accents, oh so fine.
Here are some of my favorite discoveries:
The Hoosiers, "Goodbye Mr. A": www.myspace.com/thehoosiers
London lads with feel good indie Pop tunes that stick in your head like peanut butter to jelly. They're on RCA so maybe they'll be touring the US one day, if they haven't already.
Scouting for Girls, "She's So Lovely": www.myspace.com/scoutingforgirls An Epic signing from London. Hmm, I'm beginning to think the major labels oversees are way cooler than the A&R scouts in the US. I actually Googled the lyrics to this song to find out who sang it, that's how good it is. And they got signed on Valentines Day of last year. How cute is that?
The Kooks, "She Moves in Her Own Way": www.myspace.com/thekooks
Ok so I discovered this band before I heard it on Capitol Radio. I love the video. I love the accents. I love the song. They're on Virgin. There you have it. The major labels in the UK rock, the US A&R are too afraid of loosing their jobs to take risks and make radio a better place, and that's why I quit my A&R gig.
Go listen. Now.
Love,
Joelle, who has six minutes until General Hospital comes on! Yay.
Monday, October 08, 2007
I heart indie rock (and you will too)!!
I tend to have a short attention span when it comes to weekly commitments – yet, once in a while, I find something that grabs my awareness and makes me clear my schedule. My newest addiction is IndieUprising!! My friend Erica introduced me to this weekly podcast put together by Sean Duregger. After listening to the first broadcast a few weeks ago, it is obvious that Sean is onto something (and his taste in music is right up my alley)!!
So, Sean - tell me a little bit about how you started IndieUprising. What exactly is it to you and what is your long term goal(s)?
IndieUprising had it’s start as Sean’s Unsigned Rock Show. I have a background in Radio and Video Production, but a career never panned out in either, so I’ve always had an interest and dabbled in both. One day, I had just bought a brand new iMac and started subscribing and listening to various podcasts. The idea popped into my head late one night, to start up a podcast of my own using the format of a college radio show I had called The Underground. So, the next day, I set up a MySpace account, named the show, Sean’s Unsigned Rock Show (inspired by my favorite music video show on Fuse, Steven’s Untitled Rock Show), and I started contacting some friends in bands I knew. The show started to gain the attention of bands on independent labels, so I wasn’t playing strictly “Unsigned” artists any more. After a frustrating brain storming month, I was inspired by a line I heard in the movie, Children of Men. I named the show IndieUprising and now am working with labels like Equal Vision Records, Deep Elm Records and a handful of smaller independent labels showcasing their bands. I still have a large amount of Unsigned artists involved with the show.
IndieUprising is me doing my part to showcase a lot of my favorite bands (but not limiting it to strictly my tastes in music). So many bands bust their asses and never make it anywhere. I’m just doing my part to try to get exposure to as many hard working bands as possible. Independent music is where music is still exciting. There’s passion behind it and it hasn’t been tainted by the Corporate Music Robots.
I really have no long term goals yet. Right now I just want to focus on producing a top quality show. I figure if I do that, the rest of the pieces will fit together. But it would be cool to someday have a team of people involved with the show. I would love to just do this for a living, but have too much responsibility with providing for my family to just throw caution to the wind. I’m just enjoying the ride right now.
The IndieUprising website is packed with movies of the week, numerous album reviews, favorite band polls, recent news/headlines - even a store!! Is this a one-man-show or do you have people to help you with your weekly gig?
IndieUprising is 100% a one-man-show right now. My background in web design and multi media really helps me to easily get a lot of content put up. It all comes pretty easily to me. Some weeks are more productive than others, and now with the new baby here, I definitely have less time to work on things. But, I have a pretty strong routine down and am a night owl, so that helps.
The one bit of help I get is a few participating record labels send me their press releases which serve as most of the news content for the site.
What or who are your own personal music influences and how does that reflect what you choose to play on your weekly podcast?
My personal musical influences are pretty diverse. In High-school I was introduced to Punk Rock by a buddy of mine named Zarrie (who’s currently in a band called Albino Spiders). He and another buddy named Brad were my educators in everything punk rock. We’d go see Dillinger Four every chance we had, and First Avenue in Minneapolis was like a second home to us.
But I expanded from just punk rock to a lot of different types of rock. Right now, the bands that have stayed with me are Social Distortion, Face to Face, Fugazi, Sunny Day Real Estate, The Appleseed Cast . . . I can go on and on.
My musical taste comes through in the show, I’m sure. It’s definitely a Rock show. You won’t find any Rap or anything crazy on there. There’s enough sub-genres to Rock to keep everyone happy. I try to be as unbiased as possible. Sometimes I’ll play a band that I’m not too fond of, but I can’t let my personal tastes in music run the show. It wouldn’t be fair. But, my personal tastes do have a slight influence. I mean, I have to be excited about the bands I’m playing!
What is the most challenging thing about the IndieUprising project / podcast?
Right now, the most challenging thing about IndieUprising is balancing between my wife, kids and my real job. I love to do this show. It’s easy to get caught up in it and push everything else aside. So, it’s a balancing act I have to do in order to be a great husband and father, and I have to be realistic and not let it get in the way of my real job.
What is your “real job”?
My “real job” is acting as General Manager for a Land Development company in Southern California. It’s as un-rock-and-roll as they come. But, it was an opportunity that would allow me to provide for my family and survive the cost of living in Southern California. I work 10 minutes from my house and the office hours are flexible, so it works out.
How do you choose your material weekly? How much of what you play is your personal choice and how much is suggestions from elsewhere?
I don’t really have a system for choosing material every week. I get so many submissions and it boils down to the songs with the best production and best songs. About 75% of the material chosen is personal choice, with the rest coming from suggestions from listeners. I get a lot of bands emailing me and sending me Myspace messages. Sometimes the bands that are most persistent will get on the show faster. But only if they have great songs. I really have to be tough with some of these bands, you’d be surprised the kinds of bands that email me.
Word to the wise, if you want to get onto a radio show . . . make sure you have a good recording! Nothing is worse than a crappy recording sandwiched between amazingly produced songs!
What is one of your most memorable band interview stories? Who has been the most fun to chat with?
My most memorable band interview was with North Carolina band Yearling. I record the interviews using an audio program on my computer. We had a great 20 minute interview, I was extremely happy with how it went. I thanked them and hung up, then realized I hadn’t hit the record button! I was so embarassed. I had to call them up and re-do the interview. It turned out OK, but the first interview would have been amazing.
Alanna from Medicated Kisses was the most fun with an interview I’ve had. She has a kick-ass personality and is an amazing person. I love the band as well, so that helps.
I personally already listen weekly - but, let's say I don't .. Convince me to listen to your podcast - What is the one top reason I should subscribe weekly??
If you want to hear 100% independent music, not shoved down your throat by a Corporate Conglomerate that is only interested in numbers, if you love finding new bands every week, and want an un-biased opinion on bands and music, than this is the show for you!
I’m not the best radio host, I say “um” and “cool” way too much, I’m not the funniest guy in the world. But, I think the bands and the music make the show what it is, and I’m blessed to be meeting so many incredible bands. These bands that get excited about being on my show and submitting music, and the labels that have jumped on board are what make this show what it is. And I’m extremely humbled and thankful that people care enough to check out the show!
Thanks Sean!!!
Click here to check out IndieUprising.net!!! Take a peek at IndieUprising on MySpace and listen every Tuesday on xndradio.com (5pm/PST, 7pm/CST, 8pm/EST) OR subscribe to the weekly podcast of the show (posted every Wednesday)!
*by Jen Panczenko, who's excited for new Radiohead!! :)
So, Sean - tell me a little bit about how you started IndieUprising. What exactly is it to you and what is your long term goal(s)?
IndieUprising had it’s start as Sean’s Unsigned Rock Show. I have a background in Radio and Video Production, but a career never panned out in either, so I’ve always had an interest and dabbled in both. One day, I had just bought a brand new iMac and started subscribing and listening to various podcasts. The idea popped into my head late one night, to start up a podcast of my own using the format of a college radio show I had called The Underground. So, the next day, I set up a MySpace account, named the show, Sean’s Unsigned Rock Show (inspired by my favorite music video show on Fuse, Steven’s Untitled Rock Show), and I started contacting some friends in bands I knew. The show started to gain the attention of bands on independent labels, so I wasn’t playing strictly “Unsigned” artists any more. After a frustrating brain storming month, I was inspired by a line I heard in the movie, Children of Men. I named the show IndieUprising and now am working with labels like Equal Vision Records, Deep Elm Records and a handful of smaller independent labels showcasing their bands. I still have a large amount of Unsigned artists involved with the show.
IndieUprising is me doing my part to showcase a lot of my favorite bands (but not limiting it to strictly my tastes in music). So many bands bust their asses and never make it anywhere. I’m just doing my part to try to get exposure to as many hard working bands as possible. Independent music is where music is still exciting. There’s passion behind it and it hasn’t been tainted by the Corporate Music Robots.
I really have no long term goals yet. Right now I just want to focus on producing a top quality show. I figure if I do that, the rest of the pieces will fit together. But it would be cool to someday have a team of people involved with the show. I would love to just do this for a living, but have too much responsibility with providing for my family to just throw caution to the wind. I’m just enjoying the ride right now.
The IndieUprising website is packed with movies of the week, numerous album reviews, favorite band polls, recent news/headlines - even a store!! Is this a one-man-show or do you have people to help you with your weekly gig?
IndieUprising is 100% a one-man-show right now. My background in web design and multi media really helps me to easily get a lot of content put up. It all comes pretty easily to me. Some weeks are more productive than others, and now with the new baby here, I definitely have less time to work on things. But, I have a pretty strong routine down and am a night owl, so that helps.
The one bit of help I get is a few participating record labels send me their press releases which serve as most of the news content for the site.
What or who are your own personal music influences and how does that reflect what you choose to play on your weekly podcast?
My personal musical influences are pretty diverse. In High-school I was introduced to Punk Rock by a buddy of mine named Zarrie (who’s currently in a band called Albino Spiders). He and another buddy named Brad were my educators in everything punk rock. We’d go see Dillinger Four every chance we had, and First Avenue in Minneapolis was like a second home to us.
But I expanded from just punk rock to a lot of different types of rock. Right now, the bands that have stayed with me are Social Distortion, Face to Face, Fugazi, Sunny Day Real Estate, The Appleseed Cast . . . I can go on and on.
My musical taste comes through in the show, I’m sure. It’s definitely a Rock show. You won’t find any Rap or anything crazy on there. There’s enough sub-genres to Rock to keep everyone happy. I try to be as unbiased as possible. Sometimes I’ll play a band that I’m not too fond of, but I can’t let my personal tastes in music run the show. It wouldn’t be fair. But, my personal tastes do have a slight influence. I mean, I have to be excited about the bands I’m playing!
What is the most challenging thing about the IndieUprising project / podcast?
Right now, the most challenging thing about IndieUprising is balancing between my wife, kids and my real job. I love to do this show. It’s easy to get caught up in it and push everything else aside. So, it’s a balancing act I have to do in order to be a great husband and father, and I have to be realistic and not let it get in the way of my real job.
What is your “real job”?
My “real job” is acting as General Manager for a Land Development company in Southern California. It’s as un-rock-and-roll as they come. But, it was an opportunity that would allow me to provide for my family and survive the cost of living in Southern California. I work 10 minutes from my house and the office hours are flexible, so it works out.
How do you choose your material weekly? How much of what you play is your personal choice and how much is suggestions from elsewhere?
I don’t really have a system for choosing material every week. I get so many submissions and it boils down to the songs with the best production and best songs. About 75% of the material chosen is personal choice, with the rest coming from suggestions from listeners. I get a lot of bands emailing me and sending me Myspace messages. Sometimes the bands that are most persistent will get on the show faster. But only if they have great songs. I really have to be tough with some of these bands, you’d be surprised the kinds of bands that email me.
Word to the wise, if you want to get onto a radio show . . . make sure you have a good recording! Nothing is worse than a crappy recording sandwiched between amazingly produced songs!
What is one of your most memorable band interview stories? Who has been the most fun to chat with?
My most memorable band interview was with North Carolina band Yearling. I record the interviews using an audio program on my computer. We had a great 20 minute interview, I was extremely happy with how it went. I thanked them and hung up, then realized I hadn’t hit the record button! I was so embarassed. I had to call them up and re-do the interview. It turned out OK, but the first interview would have been amazing.
Alanna from Medicated Kisses was the most fun with an interview I’ve had. She has a kick-ass personality and is an amazing person. I love the band as well, so that helps.
I personally already listen weekly - but, let's say I don't .. Convince me to listen to your podcast - What is the one top reason I should subscribe weekly??
If you want to hear 100% independent music, not shoved down your throat by a Corporate Conglomerate that is only interested in numbers, if you love finding new bands every week, and want an un-biased opinion on bands and music, than this is the show for you!
I’m not the best radio host, I say “um” and “cool” way too much, I’m not the funniest guy in the world. But, I think the bands and the music make the show what it is, and I’m blessed to be meeting so many incredible bands. These bands that get excited about being on my show and submitting music, and the labels that have jumped on board are what make this show what it is. And I’m extremely humbled and thankful that people care enough to check out the show!
Thanks Sean!!!
Click here to check out IndieUprising.net!!! Take a peek at IndieUprising on MySpace and listen every Tuesday on xndradio.com (5pm/PST, 7pm/CST, 8pm/EST) OR subscribe to the weekly podcast of the show (posted every Wednesday)!
*by Jen Panczenko, who's excited for new Radiohead!! :)
Friday, October 05, 2007
Youths Yearn for Yellowcard (how's THAT for alliteration?)
At G-Rocktoberfest, there were multitudes of multi-genre rock being performed, each with their own distinct demographic.
Ozma's audience was the smallest, only because they were the first band to perform and most of the audience hadn't arrived yet.
Shiny Toy Guns appeased the appetites of those craving electrodance beats and Depeche Mode covers. It seemed they suffered from "Everyone Knows and Loves 'Le Disko' But No One Knows It's Us" syndrome.
Blue October performed last to a mostly adult crowd, which was strange when one considers how much eyeliner frontman Justin Furstenfeld applies, probably to appeal to the youngin's, ala Pete Wentz or Billie Joe Armstrong. The applause they got (and rightfully deserved) came from hands wrapped by wristbands, signifying they were all 21 and up.
The biggest, most boisterous crowd reaction was, by far, for third act, Yellowcard. Between the poppy hooks, flashing lights both onstage and in the crowd full of teens and tweens with cellphone cameras, I felt like I was watching one of those crazy anime cartoons that gives little kids seizures--but in a good way.
It was clear Yellowcard knew what kind of crowd they were dealing with--kids have short attention spans. They kept their energy up and gave a killer live performance of a conglomerate of old and new material, from Ocean Avenue to Lights and Sounds to their newest, most mature effort, Paper Walls.
Their maturity is what made them ideal for such a diverse lineup of bands. While Ryan Key sings about adult issues, the band plays melodies and beats you can pogo to easily. The combination earned ovations and cheers from both X-ed and wristbanded hands, and will likely continue to do so until they retire.
*By Jessica, who is addicted to caramel apple cider and needs a nap
Ozma's audience was the smallest, only because they were the first band to perform and most of the audience hadn't arrived yet.
Shiny Toy Guns appeased the appetites of those craving electrodance beats and Depeche Mode covers. It seemed they suffered from "Everyone Knows and Loves 'Le Disko' But No One Knows It's Us" syndrome.
Blue October performed last to a mostly adult crowd, which was strange when one considers how much eyeliner frontman Justin Furstenfeld applies, probably to appeal to the youngin's, ala Pete Wentz or Billie Joe Armstrong. The applause they got (and rightfully deserved) came from hands wrapped by wristbands, signifying they were all 21 and up.
The biggest, most boisterous crowd reaction was, by far, for third act, Yellowcard. Between the poppy hooks, flashing lights both onstage and in the crowd full of teens and tweens with cellphone cameras, I felt like I was watching one of those crazy anime cartoons that gives little kids seizures--but in a good way.
It was clear Yellowcard knew what kind of crowd they were dealing with--kids have short attention spans. They kept their energy up and gave a killer live performance of a conglomerate of old and new material, from Ocean Avenue to Lights and Sounds to their newest, most mature effort, Paper Walls.
Their maturity is what made them ideal for such a diverse lineup of bands. While Ryan Key sings about adult issues, the band plays melodies and beats you can pogo to easily. The combination earned ovations and cheers from both X-ed and wristbanded hands, and will likely continue to do so until they retire.
*By Jessica, who is addicted to caramel apple cider and needs a nap
Thursday, October 04, 2007
Tip Du Jour: Discover New Music
My friends always ask me about music - what to check out and more specifically, where do I get my info.
They think I know bands because I go to a lot of shows, but the truth is, that's only about one-tenth of it. Here's my recommended list of ways to discover music, in no real order as they're all great.
1) Next time you go see one of your favorite bands play, get there early. Check out the openers, at least one of them has got to be great. Then go see the opener play, get there early, find new bands.
2) Pick an awesome venue and pick a show. If the venue is a great place to hang out, there's a reason to go. Added bonus that you'll hear a band play and potentially discover the next Red Hot Chili Peppers.
3) Pandora.com. It entertains me all day at work. You pick the artists or songs you like, it plays those artists and songs and introduces you to affinity artists and songs. Not bad for a music genome.
4) Every now and then, click on one of the band MySpace friend requests you get. Hey, you never know.
5) Read Planet Verge. Seriously, these girls know music! If Joelle is into it, it's got to be good.
'nough ego stroking for the night. Go turn on some tunes.
*JR
They think I know bands because I go to a lot of shows, but the truth is, that's only about one-tenth of it. Here's my recommended list of ways to discover music, in no real order as they're all great.
1) Next time you go see one of your favorite bands play, get there early. Check out the openers, at least one of them has got to be great. Then go see the opener play, get there early, find new bands.
2) Pick an awesome venue and pick a show. If the venue is a great place to hang out, there's a reason to go. Added bonus that you'll hear a band play and potentially discover the next Red Hot Chili Peppers.
3) Pandora.com. It entertains me all day at work. You pick the artists or songs you like, it plays those artists and songs and introduces you to affinity artists and songs. Not bad for a music genome.
4) Every now and then, click on one of the band MySpace friend requests you get. Hey, you never know.
5) Read Planet Verge. Seriously, these girls know music! If Joelle is into it, it's got to be good.
'nough ego stroking for the night. Go turn on some tunes.
*JR
Wednesday, October 03, 2007
Lunch time thoughts
I took a picture with a child molestor. It's been revealed that Lou Pearlman, the fat man behind the Backstreet Boys, 'N Sync and LFO forced himself on a young Nick Carter, among others. I met Lou back in '98 in at a party for Teen People magazine and thought he was cool. Now he just makes me want to throw up the delish chicken quesadilla I'm munching on from Whole Foods.
Nails: short fake tips or sleek and clipped? I'm a nail freak. My fingers must be freshly polished and chip-free at all times. Acrylic keeps the polish on. But it's so hard to file my nails down as the grow every week and appointments are every 2 weeks. It's been a month and I'm covering them up with black polish until I make up my mind. I never liked long nails, but super short tips from the ghetto $15 a pop nail salon that may or may not be operating with licensed pros has sorta been making me happy lately.
LA Ink is so much better than Miami Ink. Gotta love tattooed girls with drool worthy talent.
I'm glad Jess won Rock Of Love. Heather was a 'ho for sho'. But I doubt it will last 'cause of the age difference.
I have to get back to work. Yep.
Love,
Joelle
Nails: short fake tips or sleek and clipped? I'm a nail freak. My fingers must be freshly polished and chip-free at all times. Acrylic keeps the polish on. But it's so hard to file my nails down as the grow every week and appointments are every 2 weeks. It's been a month and I'm covering them up with black polish until I make up my mind. I never liked long nails, but super short tips from the ghetto $15 a pop nail salon that may or may not be operating with licensed pros has sorta been making me happy lately.
LA Ink is so much better than Miami Ink. Gotta love tattooed girls with drool worthy talent.
I'm glad Jess won Rock Of Love. Heather was a 'ho for sho'. But I doubt it will last 'cause of the age difference.
I have to get back to work. Yep.
Love,
Joelle
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